Jason Compson IV (
whatisay) wrote in
thecapitol2015-08-03 09:50 am
Entry tags:
Shame Can't Be the Home Where You Live [Open]
WHO| Jason and semi-open
WHAT| Caroline Compson dies and Jason exists in the aftermath.
WHEN| At least a week prior to reaping for the mini-Arena.
WHERE| Compson Manor
WARNINGS| Death, grief, emotional repression.
Jason stops coming to work on Monday, with no more warning than a text to Swann saying can't drive you today and a text to Peggy home from work. After that he lets his phone battery run down, and the few messages that get in before it dies pile up in his voicemail or inbox. He doesn't contact his coworkers, nor does he cancel the meetings with Sponsors he was supposed to be present for.
The servants are all fired. Jason tells them to vacate the premises but they don't, for two main reasons: the first being that they doubt, validly, that Jason would keep Benjamin and the horses fed and cared for, even for a few days, and the second being that Jason doesn't even seem to notice that they're there. He grabs a whole pack of caps for his vaporizer and takes up a sort of vigil on the couch in the moldy, once-beautiful living room, and smokes, at first with a kind of furious intensity and then out of a mechanical inertia, as if it's easier to just keep refilling the cap and staying where he is than to get up and perform any of the many tasks that have laid themselves out at his feet.
When night falls he doesn't even get up to turn on the light, just sitting there on the couch until sleep ambushes him and then retreats in the morning. Freedom is a ball and chain that keeps him stuck here. A few times he feels something like a fist twisting in his gut and he gets up, paces, runs his hands through his hair (which has gotten greasy and lank), and actually putting his body in motion helps to release that tension. His eyes sting and so he smokes more and tries to sleep again, passing between waking and resting with little acknowledgment for when he crosses each border.
Outside the gate stays closed, accessible only by fingerprint or intercomming to the house. The potholes and rotten belongings in the yard stay where they are, leaving patches of brown, muddy, dead grass underneath them if removed. The whole building sags a bit, as if it were sighing.
Jason's out of work for five days.
-/-
In the news, there's an obituary with ebullient recitations of the virtues no one who knew Caroline would ever say she had. It goes on to say that she's survived by her one son, Jason, as if Benjamin were shuffled out of reality when he was corralled up on the property, excised from the collective memory of the public.
WHAT| Caroline Compson dies and Jason exists in the aftermath.
WHEN| At least a week prior to reaping for the mini-Arena.
WHERE| Compson Manor
WARNINGS| Death, grief, emotional repression.
Jason stops coming to work on Monday, with no more warning than a text to Swann saying can't drive you today and a text to Peggy home from work. After that he lets his phone battery run down, and the few messages that get in before it dies pile up in his voicemail or inbox. He doesn't contact his coworkers, nor does he cancel the meetings with Sponsors he was supposed to be present for.
The servants are all fired. Jason tells them to vacate the premises but they don't, for two main reasons: the first being that they doubt, validly, that Jason would keep Benjamin and the horses fed and cared for, even for a few days, and the second being that Jason doesn't even seem to notice that they're there. He grabs a whole pack of caps for his vaporizer and takes up a sort of vigil on the couch in the moldy, once-beautiful living room, and smokes, at first with a kind of furious intensity and then out of a mechanical inertia, as if it's easier to just keep refilling the cap and staying where he is than to get up and perform any of the many tasks that have laid themselves out at his feet.
When night falls he doesn't even get up to turn on the light, just sitting there on the couch until sleep ambushes him and then retreats in the morning. Freedom is a ball and chain that keeps him stuck here. A few times he feels something like a fist twisting in his gut and he gets up, paces, runs his hands through his hair (which has gotten greasy and lank), and actually putting his body in motion helps to release that tension. His eyes sting and so he smokes more and tries to sleep again, passing between waking and resting with little acknowledgment for when he crosses each border.
Outside the gate stays closed, accessible only by fingerprint or intercomming to the house. The potholes and rotten belongings in the yard stay where they are, leaving patches of brown, muddy, dead grass underneath them if removed. The whole building sags a bit, as if it were sighing.
Jason's out of work for five days.
-/-
In the news, there's an obituary with ebullient recitations of the virtues no one who knew Caroline would ever say she had. It goes on to say that she's survived by her one son, Jason, as if Benjamin were shuffled out of reality when he was corralled up on the property, excised from the collective memory of the public.

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Before she can say a word, the gate opens and the intercom switches off, and Swann's left with an open mouth and no one to hear what she has to say.
She takes the handle of her trunk and begins to wheel it up the path to the house, carefully brushing away any tears that can spring up before she gets there. She reaches the drooping porch and lugs the trunk up the steps, then pauses at the door as she decides whether she should actually knock.
She doesn't. She gently turns the knob and enters, glancing down as the floor creaks under her. Closing the door behind herself, she looks around and tries to remember the layout of the house from twenty-odd years ago, when the Compsons still held parties. Eventually, she just takes a few more steps into the foyer and calls out, "Jason?"
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It used to be a beautiful house, but by now the damage is so deep that nothing short of a total renovation will bring it back to anything worth commentary aside from its size. It smells like decay. It smells like it's been given up on for years, with the immediately messes handled but any of the more intensive and gradual upkeep abandoned, shifted onto the shoulders of ghosts. There are no family portraits, aside from a painted one that sits above the fireplace, which hasn't been used in months. Quentin's jewel sits next to Jason's father's on the hearth, but both are covered in dust and the wreaths around them have shriveled and browned.
The last time Swann turned the corner into the living room was over twenty years ago, her in a pink outfit with a dyed fur stole, both of her parents making an appearance, the chandeliers filled with light instead of cobwebs.
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She wears black this time, from the small, veiled fascinator pinned into her hair to her shoes, where black silk ribbons tie up her ankles like a dark ballerina. There's a sort of scurry toward him when he's in view, and she leaves her trunk at the entranceway in favor of crouching down to take his face in her hands, thumbs running along his cheeks.
"It'll be all right," she murmurs, and she doesn't sound at all sure, but she doesn't know what else to tell him. "I don't want you to do this alone."
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"There's nothing I'm doing. I'm fine, Swann." He sincerely believes it, too, and is entirely oblivious to the fact that he hasn't eaten in days or that he's still wearing what he saw her in last, or that he skipped work at all. The last few days are an impenetrable wash. "I needed a few days to make funeral arrangements."
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"Jason, it's been three days and no one's heard from you. You haven't changed your clothes, you haven't washed your hair or shaved, you haven't... have you eaten? Where's Ben?" Swann glances up with an odd sense of urgency, like she's afraid that Jason's grief has taken his brother too, starved and neglected him just like everything else in the house.
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"I don't know. What are you around here looking for Ben for? If he starves that's one less load off my shoulders." He tilts his head as he hears Ben's cry from outside. "See? He's fine. Probably upset that the wind knocked over one of his toys or something."
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Benjy cries out and she lets out a breath of relief, because at least he's alive and around, and she can feed him after she gets Jason taken care of.
"You have to take care of yourself. I brought food, you'll feel better if you eat and take a shower, change your clothes." She reaches up and strokes his cheek again, her fingers brushing over three days' worth of stubble. "Please. People are worried about you."
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He puts his hand over hers, but any emotional connection they usually say eye-to-eye seems locked away, trapped in that reservoir of emotions that's been dammed up.
"You're worrying yourself over nothing. I'm alright. It's not like Mother didn't have one foot in the grave for the last twenty years anyway." He gets up off the couch again, mulling the cigarette in between his lips. "I'll take a shower."
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"Okay," she says, and she doesn't tell him that he's not all right, that he's obviously not all right. She takes a step back so he can head toward the bathroom, wherever that is, and so she can set out food for him. Hunt Benjy down and give him some food too.
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He scours himself red, scrubbing himself hard enough to hurt.
Outside, Ben is with one of the servants, a teenage boy who is kicking a ball around. Benjy is sitting front of what the Compsons have called "the graveyard" for years, a collection of brightly-colored bottles and baubles lined up in rows that Benjy tends to with mindless and incomprehensible diligence. He doesn't look at Swann with any recognition but with a sort of placid acceptance of her presence here and smiles.
"Shit," the boy says, "has Mr. Jason figured out we didn't vacate yet?"
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She's surprised to see the boy, but she only pauses for a moment. "No, but don't worry about it. Thank you all for staying, Ben needs you. Jason does too, even if he'll never admit it." She reaches into a small purse at her side, made of black fur with an emerald closure, and fishes out a wad of bills, which she offers to the boy. "I don't know what he pays you. Is a thousand enough for the rest of the week? Please stay until arrangements are made, Jason can't handle Ben alone. I'll pay, if he won't. Just stay away from him."
That done, Swann goes to Ben and crouches down, beaming at him and speaking softly. "Hi, Ben. You probably don't remember me. I know it's been a long time. I brought you this, though." She offers him the container with the brownie, unsure of whether he'll take it. "There's more food in the house, too."
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Ben grabs at the brownie as if it were a small stuffed toy and not food, and the boy crouches down and takes it from him, then breaks off a piece and coaxes Benjy to open his mouth and take it.
"We get four hundred a week. This'll buy us off until mid-month." The boy pauses, then, feeding another piece to Benjy and kiping a mouthful for himself, adds in a quick "thank you".
Back in the living room, Jason's gotten dressed in a fresh set of clothes and wound up back on the couch, sitting with his knees spraddled and staring at the wall again. He glances at the food, but feels no compulsion to eat. He wonders if his mother was the netting holding this whole place together.
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Swann heads back to the house, finds the kitchen and fills a glass with water, then brings it to Jason. She sets it on the table and sighs, picking up the fork she brought and trying to hand it to him. "Please eat something, Jason, please. You can't starve yourself."
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Ben smiles, eyes a bit unfocused, and licks some crumbs off his lips. Every time he gets another piece of brownie he grins.
Jason takes the water but doesn't look at the food yet.
"I'm not starving myself. I'm just not hungry. I'm fine." Maybe he hasn't eaten in so long his stomach's forgotten what it's for, he thinks. Maybe he's hungry enough it's making him nauseous. "Besides, aren't you the last person to be badgering someone to stuff their face?"
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Swann strokes Ben's cheek again before she leaves.
Inside, she rubs her temple lightly as Jason refuses food. "Maybe I am. But you always try to get me to eat, so I suppose I should return the favor." With a sigh, she sits next to him on the sofa, close but far enough away that he won't feel overwhelmed with her presence. "Please try, Jason. You're going to get sick if you don't eat. Trust me on that one."
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Swallowing seems to remind his body what he was missing, and though he still doesn't enjoy the next few bites he takes he does them less reluctantly.
In a terrible way eating new food seems to be erasing the last dinner he had with his mother, the meal before Jason retired to his bedroom and Caroline went up to bed, the last thing either of them had had. Now it's one less thing they have in common.
"I'm not sad, Swann."
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"Then what are you?" she asks lightly, resting her arm on the back of the sofa and then her head on her arm as she watches him eat. "You don't seem anything else, any other feeling. Only sad. Sad doesn't have to be crying and wailing. Sad can be a lot of things."
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He sighs and sits back, wincing as the food in his previously barren stomach sends a pang through him. He doesn't have words and he's long since choked down any physical response to these sorts of emotions. "I should probably start looking for places for Ben."
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He sits back and she tentatively scootches closer, unused to there being a distance like this between them. She expects he'll push her away if he can't stand her being close, but she hopes he won't. "I can make a list of some places," she tells him. "So you don't have to do all the research yourself."
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He half-laughs quietly and doesn't push her away. He even leans in to her slightly. "I could leave him in a cardboard box on the side of the road. He probably wouldn't know the difference."
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She doesn't know when he'll be ready for the world again.
Closing the gap between them, she wraps her arms around his middle and lays her head on his shoulder with a sigh. "No, but you would. You'd regret it someday." She knows he wouldn't. "We'll find him somewhere that they'll take good care of him."
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He feels like he probably should feel something besides exhaustion and annoyance, but that's all he can skim from the top of whatever well he has deep inside.
"I'll need to call Maury at some point. Maybe I can foist the funeral expenses off on him."
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She strokes his side and then brushes her fingers through his hair again. "It's the least he could do," she says, and they both know that Maury won't pay for the funeral. "You can call him tomorrow, don't make yourself do it tonight."
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He pauses, losing that sentence midway as his throat chokes up for a second with what he refuses to call sadness. He takes a drag of the cigarette instead and another sip of water, then transfers the plate of lasagna to his lap so he can eat it without having to move Swann much.
"I'm going to have to run out the last of the savings on a circus she'll be too dead to appreciate, surrounded by people telling me really wish they'd visited in the last twenty years but got distracted or whatever." He sighs. "Maybe I'll be lucky and Maury will have had a stroke too."
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Twisting her neck a little, she stretches to kiss his cheek. Swann is good at planning, at organizing. It's what she can offer, to lighten his load by arranging for things to be done so that Jason doesn't have to.
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fucked up capitol babies ;_;
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OUR POOR CAPITOL BABIES ;A;
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