Jason Compson IV (
whatisay) wrote in
thecapitol2015-08-03 09:50 am
Entry tags:
Shame Can't Be the Home Where You Live [Open]
WHO| Jason and semi-open
WHAT| Caroline Compson dies and Jason exists in the aftermath.
WHEN| At least a week prior to reaping for the mini-Arena.
WHERE| Compson Manor
WARNINGS| Death, grief, emotional repression.
Jason stops coming to work on Monday, with no more warning than a text to Swann saying can't drive you today and a text to Peggy home from work. After that he lets his phone battery run down, and the few messages that get in before it dies pile up in his voicemail or inbox. He doesn't contact his coworkers, nor does he cancel the meetings with Sponsors he was supposed to be present for.
The servants are all fired. Jason tells them to vacate the premises but they don't, for two main reasons: the first being that they doubt, validly, that Jason would keep Benjamin and the horses fed and cared for, even for a few days, and the second being that Jason doesn't even seem to notice that they're there. He grabs a whole pack of caps for his vaporizer and takes up a sort of vigil on the couch in the moldy, once-beautiful living room, and smokes, at first with a kind of furious intensity and then out of a mechanical inertia, as if it's easier to just keep refilling the cap and staying where he is than to get up and perform any of the many tasks that have laid themselves out at his feet.
When night falls he doesn't even get up to turn on the light, just sitting there on the couch until sleep ambushes him and then retreats in the morning. Freedom is a ball and chain that keeps him stuck here. A few times he feels something like a fist twisting in his gut and he gets up, paces, runs his hands through his hair (which has gotten greasy and lank), and actually putting his body in motion helps to release that tension. His eyes sting and so he smokes more and tries to sleep again, passing between waking and resting with little acknowledgment for when he crosses each border.
Outside the gate stays closed, accessible only by fingerprint or intercomming to the house. The potholes and rotten belongings in the yard stay where they are, leaving patches of brown, muddy, dead grass underneath them if removed. The whole building sags a bit, as if it were sighing.
Jason's out of work for five days.
-/-
In the news, there's an obituary with ebullient recitations of the virtues no one who knew Caroline would ever say she had. It goes on to say that she's survived by her one son, Jason, as if Benjamin were shuffled out of reality when he was corralled up on the property, excised from the collective memory of the public.
WHAT| Caroline Compson dies and Jason exists in the aftermath.
WHEN| At least a week prior to reaping for the mini-Arena.
WHERE| Compson Manor
WARNINGS| Death, grief, emotional repression.
Jason stops coming to work on Monday, with no more warning than a text to Swann saying can't drive you today and a text to Peggy home from work. After that he lets his phone battery run down, and the few messages that get in before it dies pile up in his voicemail or inbox. He doesn't contact his coworkers, nor does he cancel the meetings with Sponsors he was supposed to be present for.
The servants are all fired. Jason tells them to vacate the premises but they don't, for two main reasons: the first being that they doubt, validly, that Jason would keep Benjamin and the horses fed and cared for, even for a few days, and the second being that Jason doesn't even seem to notice that they're there. He grabs a whole pack of caps for his vaporizer and takes up a sort of vigil on the couch in the moldy, once-beautiful living room, and smokes, at first with a kind of furious intensity and then out of a mechanical inertia, as if it's easier to just keep refilling the cap and staying where he is than to get up and perform any of the many tasks that have laid themselves out at his feet.
When night falls he doesn't even get up to turn on the light, just sitting there on the couch until sleep ambushes him and then retreats in the morning. Freedom is a ball and chain that keeps him stuck here. A few times he feels something like a fist twisting in his gut and he gets up, paces, runs his hands through his hair (which has gotten greasy and lank), and actually putting his body in motion helps to release that tension. His eyes sting and so he smokes more and tries to sleep again, passing between waking and resting with little acknowledgment for when he crosses each border.
Outside the gate stays closed, accessible only by fingerprint or intercomming to the house. The potholes and rotten belongings in the yard stay where they are, leaving patches of brown, muddy, dead grass underneath them if removed. The whole building sags a bit, as if it were sighing.
Jason's out of work for five days.
-/-
In the news, there's an obituary with ebullient recitations of the virtues no one who knew Caroline would ever say she had. It goes on to say that she's survived by her one son, Jason, as if Benjamin were shuffled out of reality when he was corralled up on the property, excised from the collective memory of the public.

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"Maybe it's better this way. Maybe it's better than having to watch her go slowly, get worse and worse. She didn't suffer, this way. It was just over, like blinking." Swann latches onto the positive to save herself from sinking, to help try and haul Jason back to the surface as well, even when she knows it's not enough. It's not a life preserver, it's just a piece of debris to cling to while he treads water.
Stretching to kiss his cheek again, she puts her hand on his chest, over his heart.
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Jason feels almost cheated, to have had the slow decline taken from him, the chance at a slightly more miserable daily routine. It's an easy way to miss her. Anger, a sense of injustice and opportunity missed, always has come to Jason more easily than loss and sorrow.
His own depression has always been different than Swann's because he always existed within a structure, a structure he hated but a structure nonetheless. He had obligations and a role in his household and people, roadblocks, to organize his life around. Caroline's death has ripped the foundation out from under that structure, and it's caved itself in.
His heart feels sluggish in his chest. He tightens his arm around her for a moment. Outside Ben makes some noise, inarticulate and loud in the silence around them.
"Now you can see why I didn't want you to come visit." He takes another bite. "Doesn't matter anymore."
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Swann shrugs lightly. "It doesn't bother me," she says, and it's only partly a lie. The smell bothered her, at first. "It's not like I love you for your house." She's glad she came, glad she made sure that Ben was taken care of and that Jason at least got up and functioned a little bit. The showering and eating is a good start.
"Are you going to stay here?"
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"I don't know. Maybe. Maybe I could sell the land and have the building bulldozed." That's a lot of work, though, and right now it feels like too much, and so he doesn't think about it too hard. "She just- God I'm left with everything to handle. I always am, I don't know why I expected any different. I'm so angry, Swann."
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Reaching for his hand, she twines their fingers together, lets her nose graze the line of his jaw. "I know. But I'm here. I'll help you get through it all, figure everything out. Whatever you need, however long you want to take. We just go day by day for now, one thing at a time. Today, all we need to do is get food in you."
fucked up capitol babies ;_;
Just practical things, which leave no room for mourning, either for his mother or the childhood he never really had.
He gives her hand a squeeze and picks at the salad. "I'm not going to lock myself up being sickly for twenty years, Swann. I promise."
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She sighs. "I know. I just want you to know it's okay, to take as long as you need. It might not be over in a few days. That's all I mean."
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The way his throat tightens again and his eyes sting and his head spins a bit is nothing but the product of all the smoking and bad sleep and not eating. He starts to arrange his tower of logic to protect himself again.
"Maybe I could just burn it down."
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"Don't say that," she says quietly when he gets dark. "It's all going to be all right. It will. I promise."
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"It'd be kind of freeing, just burning it." He doesn't tell Swann that in his fantasies about it, he doesn't leave the house, just sits here on the couch while the whole place fills with smoke and collapses. "Make it look like an accident, get the insurance claim for it."
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"The land is probably worth more if it's not burnt up. Sink a couple thousand assi into renovations and this place could sell for a fortune." She says it all distantly, curled up to him, then shifts and straddles his lap facing him, her knees sinking into the moldy velvet sofa. Her arms wrap around his neck and she just hugs him, holds onto him, their chests pressed together.
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He doesn't look at her as she pulls herself on to him, but he does hold her close - tightly, tight enough that she can feel that tremble in his arms and shoulders, the way his heart starts racing as he remembers that time in the past that he cried into her neck, inarticulate and damaged and beyond eloquent expression.
"I'm alright, Swann. I promise." He's telling himself more than her.
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"I know. I'm here anyway." It's whispered, and they both know he's not all right, and they both know she won't push it out of him, will let him bottle it up until he explodes if he prefers. "I'm here."
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"I'm tired," he says finally, when that tremble has faded and his jackhammer heartbeat with it. "Do you mind, just...? If you have nowhere to be."
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"I'll stay as long as you want." She sits back a little, so they're face to face, and brushes his hair back again, behind his ear, and finally smiles just the tiniest bit. "When do I ever have plans in the evening without you?"
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Jason cleans his room because he doesn't allow anyone else in it, and there isn't much to get dirty or require upkeep. He kisses her, but there's no feeling in it, just a dutiful obedience to their relationship. He can't seem to feel anything right now. He doesn't move to get up, either.
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All she can do is squeeze his hand tightly as they move along.
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He breaks away from her and lies down on the bed, curling up on his side, facing the wall. He's in a strange bind, wanting the companionship but barely able to interact, finding it hard to even keep up with any words Swann says to him because his mind keeps wandering, not to other locales but to getting lost in that cloying opaque impenetrable mist.
He just knows he can't bear to sleep alone tonight.
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She unties her shoes. Takes the headpiece out of her hair. Slips out of her dress and leaves it on the floor before joining him on the bed, wrapping her arm around his waist and pressing her cheek to his back. She lets her feet touch his, runs her fingers along the nape of his neck.
There's not much else that she can think of, and so she just hums her lullaby, the one she'd played for him, soft and almost under her breath. It's as much for her as it is for him.
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He doesn't sleep well. Four times during the night he untangled from Swann, then walks down the hall, not a somnambulist but not truly conscious either, and waits at the bottom of the stairs for some sound that doesn't come. He paces for a little while and then returns, crawling back under the covers and catching another handful of hours.
A little bit before dawn he wakes again, then rolls over and clings to Swann, burying his face in her shoulder, saying nothing.
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When he rolls over, she wakes and yawns a little, wrapping her arms around his shoulders and stroking the back of his hair, his neck. They stay that way for a while, quiet, until she finally breaks the silence. "Feel any better?"
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He knows it'll go away eventually, that a few weeks after his father's death he stopped waking up in the night thinking he heard the clink of the decanter, but he never felt the need to check and make sure back then. Now he does, for the fifth time since they laid down here.
"No."
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"I can make you some coffee," she offers quietly, although she doesn't want to leave him and she certainly doesn't know where the Compsons keep their coffee. She doesn't know if her comforting is doing him any good, and it makes her feel like she needs to give more. But she doesn't have much else to give.
"Is there anything I can do?"
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He wants his mother, as much as he won't admit it, as much as his conception of 'mother' is less the woman herself than the idea of motherhood that he feels was denied to him since childhood, the idea of the stable if unhappy life he had just days ago, Caroline standing in as synecdoche for the world before Jason's life's structure came crashing down or for the affection and protection he craved but knows he didn't receive even once since Damuddy died.
He's an adult, and yet the desires that are starting to break through the dull wall are all so infantile, so basic, wrapped around the most heartfelt instincts of the human psyche.
"I don't think there's anything you can do. You go on to work. I'll be alright." He kisses her forehead. "I'll eat breakfast, I promise."
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She looks a bit like she might cry from helplessness, and shakes her head. "I don't want to leave you," she tells him, voice wavering. "You shouldn't be alone."
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OUR POOR CAPITOL BABIES ;A;
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