Jason Compson IV (
whatisay) wrote in
thecapitol2015-08-03 09:50 am
Entry tags:
Shame Can't Be the Home Where You Live [Open]
WHO| Jason and semi-open
WHAT| Caroline Compson dies and Jason exists in the aftermath.
WHEN| At least a week prior to reaping for the mini-Arena.
WHERE| Compson Manor
WARNINGS| Death, grief, emotional repression.
Jason stops coming to work on Monday, with no more warning than a text to Swann saying can't drive you today and a text to Peggy home from work. After that he lets his phone battery run down, and the few messages that get in before it dies pile up in his voicemail or inbox. He doesn't contact his coworkers, nor does he cancel the meetings with Sponsors he was supposed to be present for.
The servants are all fired. Jason tells them to vacate the premises but they don't, for two main reasons: the first being that they doubt, validly, that Jason would keep Benjamin and the horses fed and cared for, even for a few days, and the second being that Jason doesn't even seem to notice that they're there. He grabs a whole pack of caps for his vaporizer and takes up a sort of vigil on the couch in the moldy, once-beautiful living room, and smokes, at first with a kind of furious intensity and then out of a mechanical inertia, as if it's easier to just keep refilling the cap and staying where he is than to get up and perform any of the many tasks that have laid themselves out at his feet.
When night falls he doesn't even get up to turn on the light, just sitting there on the couch until sleep ambushes him and then retreats in the morning. Freedom is a ball and chain that keeps him stuck here. A few times he feels something like a fist twisting in his gut and he gets up, paces, runs his hands through his hair (which has gotten greasy and lank), and actually putting his body in motion helps to release that tension. His eyes sting and so he smokes more and tries to sleep again, passing between waking and resting with little acknowledgment for when he crosses each border.
Outside the gate stays closed, accessible only by fingerprint or intercomming to the house. The potholes and rotten belongings in the yard stay where they are, leaving patches of brown, muddy, dead grass underneath them if removed. The whole building sags a bit, as if it were sighing.
Jason's out of work for five days.
-/-
In the news, there's an obituary with ebullient recitations of the virtues no one who knew Caroline would ever say she had. It goes on to say that she's survived by her one son, Jason, as if Benjamin were shuffled out of reality when he was corralled up on the property, excised from the collective memory of the public.
WHAT| Caroline Compson dies and Jason exists in the aftermath.
WHEN| At least a week prior to reaping for the mini-Arena.
WHERE| Compson Manor
WARNINGS| Death, grief, emotional repression.
Jason stops coming to work on Monday, with no more warning than a text to Swann saying can't drive you today and a text to Peggy home from work. After that he lets his phone battery run down, and the few messages that get in before it dies pile up in his voicemail or inbox. He doesn't contact his coworkers, nor does he cancel the meetings with Sponsors he was supposed to be present for.
The servants are all fired. Jason tells them to vacate the premises but they don't, for two main reasons: the first being that they doubt, validly, that Jason would keep Benjamin and the horses fed and cared for, even for a few days, and the second being that Jason doesn't even seem to notice that they're there. He grabs a whole pack of caps for his vaporizer and takes up a sort of vigil on the couch in the moldy, once-beautiful living room, and smokes, at first with a kind of furious intensity and then out of a mechanical inertia, as if it's easier to just keep refilling the cap and staying where he is than to get up and perform any of the many tasks that have laid themselves out at his feet.
When night falls he doesn't even get up to turn on the light, just sitting there on the couch until sleep ambushes him and then retreats in the morning. Freedom is a ball and chain that keeps him stuck here. A few times he feels something like a fist twisting in his gut and he gets up, paces, runs his hands through his hair (which has gotten greasy and lank), and actually putting his body in motion helps to release that tension. His eyes sting and so he smokes more and tries to sleep again, passing between waking and resting with little acknowledgment for when he crosses each border.
Outside the gate stays closed, accessible only by fingerprint or intercomming to the house. The potholes and rotten belongings in the yard stay where they are, leaving patches of brown, muddy, dead grass underneath them if removed. The whole building sags a bit, as if it were sighing.
Jason's out of work for five days.
-/-
In the news, there's an obituary with ebullient recitations of the virtues no one who knew Caroline would ever say she had. It goes on to say that she's survived by her one son, Jason, as if Benjamin were shuffled out of reality when he was corralled up on the property, excised from the collective memory of the public.

no subject
Ben grabs at the brownie as if it were a small stuffed toy and not food, and the boy crouches down and takes it from him, then breaks off a piece and coaxes Benjy to open his mouth and take it.
"We get four hundred a week. This'll buy us off until mid-month." The boy pauses, then, feeding another piece to Benjy and kiping a mouthful for himself, adds in a quick "thank you".
Back in the living room, Jason's gotten dressed in a fresh set of clothes and wound up back on the couch, sitting with his knees spraddled and staring at the wall again. He glances at the food, but feels no compulsion to eat. He wonders if his mother was the netting holding this whole place together.
no subject
Swann heads back to the house, finds the kitchen and fills a glass with water, then brings it to Jason. She sets it on the table and sighs, picking up the fork she brought and trying to hand it to him. "Please eat something, Jason, please. You can't starve yourself."
no subject
Ben smiles, eyes a bit unfocused, and licks some crumbs off his lips. Every time he gets another piece of brownie he grins.
Jason takes the water but doesn't look at the food yet.
"I'm not starving myself. I'm just not hungry. I'm fine." Maybe he hasn't eaten in so long his stomach's forgotten what it's for, he thinks. Maybe he's hungry enough it's making him nauseous. "Besides, aren't you the last person to be badgering someone to stuff their face?"
no subject
Swann strokes Ben's cheek again before she leaves.
Inside, she rubs her temple lightly as Jason refuses food. "Maybe I am. But you always try to get me to eat, so I suppose I should return the favor." With a sigh, she sits next to him on the sofa, close but far enough away that he won't feel overwhelmed with her presence. "Please try, Jason. You're going to get sick if you don't eat. Trust me on that one."
no subject
Swallowing seems to remind his body what he was missing, and though he still doesn't enjoy the next few bites he takes he does them less reluctantly.
In a terrible way eating new food seems to be erasing the last dinner he had with his mother, the meal before Jason retired to his bedroom and Caroline went up to bed, the last thing either of them had had. Now it's one less thing they have in common.
"I'm not sad, Swann."
no subject
"Then what are you?" she asks lightly, resting her arm on the back of the sofa and then her head on her arm as she watches him eat. "You don't seem anything else, any other feeling. Only sad. Sad doesn't have to be crying and wailing. Sad can be a lot of things."
no subject
He sighs and sits back, wincing as the food in his previously barren stomach sends a pang through him. He doesn't have words and he's long since choked down any physical response to these sorts of emotions. "I should probably start looking for places for Ben."
no subject
He sits back and she tentatively scootches closer, unused to there being a distance like this between them. She expects he'll push her away if he can't stand her being close, but she hopes he won't. "I can make a list of some places," she tells him. "So you don't have to do all the research yourself."
no subject
He half-laughs quietly and doesn't push her away. He even leans in to her slightly. "I could leave him in a cardboard box on the side of the road. He probably wouldn't know the difference."
no subject
She doesn't know when he'll be ready for the world again.
Closing the gap between them, she wraps her arms around his middle and lays her head on his shoulder with a sigh. "No, but you would. You'd regret it someday." She knows he wouldn't. "We'll find him somewhere that they'll take good care of him."
no subject
He feels like he probably should feel something besides exhaustion and annoyance, but that's all he can skim from the top of whatever well he has deep inside.
"I'll need to call Maury at some point. Maybe I can foist the funeral expenses off on him."
no subject
She strokes his side and then brushes her fingers through his hair again. "It's the least he could do," she says, and they both know that Maury won't pay for the funeral. "You can call him tomorrow, don't make yourself do it tonight."
no subject
He pauses, losing that sentence midway as his throat chokes up for a second with what he refuses to call sadness. He takes a drag of the cigarette instead and another sip of water, then transfers the plate of lasagna to his lap so he can eat it without having to move Swann much.
"I'm going to have to run out the last of the savings on a circus she'll be too dead to appreciate, surrounded by people telling me really wish they'd visited in the last twenty years but got distracted or whatever." He sighs. "Maybe I'll be lucky and Maury will have had a stroke too."
no subject
Twisting her neck a little, she stretches to kiss his cheek. Swann is good at planning, at organizing. It's what she can offer, to lighten his load by arranging for things to be done so that Jason doesn't have to.
no subject
He lets that last word hang a bit, as if he needs the silence after it to prove that he said it.
"You know, she came downstairs at about ten complaining of a headache, and I told her to go back to sleep and that maybe a migraine would serve her right for...whatever it was I was mad at her about. And I woke up because a servant was banging on my bedroom door telling me she was dead."
no subject
She stays silent until he speaks again, her fingers running slowly along his ribs, lost in her own thoughts. She'll absorb the costs of everything she can, of course, and with Jason so stressed, she can't imagine he'll be up to a fight over it if she can do it on the sly. He starts talking and she looks at him, listening.
"You couldn't have known. She always complained about aches and pains, what's a headache on top of it? There's nothing you could have done, even if you'd sat by her side all night." Her voice is soft and quiet, and she only wants to make him feel better, despite not knowing if there's anything she can say to lessen the... whatever feeling it is that he's having. She's not sure if it's guilt. "She spent twenty years being as sick as she could be, Jason. It was just another day."
no subject
He does, really, and it's true that there's a fine line between guilt and the feeling that he somehow could have changed something and had his life in the comfortable, if miserable, status quo he was so familiar with, and that he's mostly falling into the latter category. It's not remorse, really, but the feeling that he's on a speeding train that has just passed a fork and is watching the parallel track branch away into the distance.
On one track, the familiar and typical days stretching forward into forever, into a smoggy dusty horizon, and then on this one he isn't even sure the train is still going or what the destination would be if it were. He's completely lost, moving forward only because time can't help but march on, not from any effort of his own.
"I just always figured it would be some sort of cancer or liver failure, something I'd have to drive her to all the time, and I thought maybe I'd get lucky and it'd be Alzheimer's and she'd forget who I was and I could ship her off to a home the first chance I got. It never occurred to me it'd be so sudden."
no subject
"Maybe it's better this way. Maybe it's better than having to watch her go slowly, get worse and worse. She didn't suffer, this way. It was just over, like blinking." Swann latches onto the positive to save herself from sinking, to help try and haul Jason back to the surface as well, even when she knows it's not enough. It's not a life preserver, it's just a piece of debris to cling to while he treads water.
Stretching to kiss his cheek again, she puts her hand on his chest, over his heart.
no subject
Jason feels almost cheated, to have had the slow decline taken from him, the chance at a slightly more miserable daily routine. It's an easy way to miss her. Anger, a sense of injustice and opportunity missed, always has come to Jason more easily than loss and sorrow.
His own depression has always been different than Swann's because he always existed within a structure, a structure he hated but a structure nonetheless. He had obligations and a role in his household and people, roadblocks, to organize his life around. Caroline's death has ripped the foundation out from under that structure, and it's caved itself in.
His heart feels sluggish in his chest. He tightens his arm around her for a moment. Outside Ben makes some noise, inarticulate and loud in the silence around them.
"Now you can see why I didn't want you to come visit." He takes another bite. "Doesn't matter anymore."
no subject
Swann shrugs lightly. "It doesn't bother me," she says, and it's only partly a lie. The smell bothered her, at first. "It's not like I love you for your house." She's glad she came, glad she made sure that Ben was taken care of and that Jason at least got up and functioned a little bit. The showering and eating is a good start.
"Are you going to stay here?"
no subject
"I don't know. Maybe. Maybe I could sell the land and have the building bulldozed." That's a lot of work, though, and right now it feels like too much, and so he doesn't think about it too hard. "She just- God I'm left with everything to handle. I always am, I don't know why I expected any different. I'm so angry, Swann."
no subject
Reaching for his hand, she twines their fingers together, lets her nose graze the line of his jaw. "I know. But I'm here. I'll help you get through it all, figure everything out. Whatever you need, however long you want to take. We just go day by day for now, one thing at a time. Today, all we need to do is get food in you."
fucked up capitol babies ;_;
Just practical things, which leave no room for mourning, either for his mother or the childhood he never really had.
He gives her hand a squeeze and picks at the salad. "I'm not going to lock myself up being sickly for twenty years, Swann. I promise."
no subject
She sighs. "I know. I just want you to know it's okay, to take as long as you need. It might not be over in a few days. That's all I mean."
no subject
The way his throat tightens again and his eyes sting and his head spins a bit is nothing but the product of all the smoking and bad sleep and not eating. He starts to arrange his tower of logic to protect himself again.
"Maybe I could just burn it down."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
OUR POOR CAPITOL BABIES ;A;
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...