thecapitol | Shame Can't Be the Home Where You Live [Open]

Entry tags:

Shame Can't Be the Home Where You Live [Open]

WHO| Jason and semi-open
WHAT| Caroline Compson dies and Jason exists in the aftermath.
WHEN| At least a week prior to reaping for the mini-Arena.
WHERE| Compson Manor
WARNINGS| Death, grief, emotional repression.

Jason stops coming to work on Monday, with no more warning than a text to Swann saying can't drive you today and a text to Peggy home from work. After that he lets his phone battery run down, and the few messages that get in before it dies pile up in his voicemail or inbox. He doesn't contact his coworkers, nor does he cancel the meetings with Sponsors he was supposed to be present for.

The servants are all fired. Jason tells them to vacate the premises but they don't, for two main reasons: the first being that they doubt, validly, that Jason would keep Benjamin and the horses fed and cared for, even for a few days, and the second being that Jason doesn't even seem to notice that they're there. He grabs a whole pack of caps for his vaporizer and takes up a sort of vigil on the couch in the moldy, once-beautiful living room, and smokes, at first with a kind of furious intensity and then out of a mechanical inertia, as if it's easier to just keep refilling the cap and staying where he is than to get up and perform any of the many tasks that have laid themselves out at his feet.

When night falls he doesn't even get up to turn on the light, just sitting there on the couch until sleep ambushes him and then retreats in the morning. Freedom is a ball and chain that keeps him stuck here. A few times he feels something like a fist twisting in his gut and he gets up, paces, runs his hands through his hair (which has gotten greasy and lank), and actually putting his body in motion helps to release that tension. His eyes sting and so he smokes more and tries to sleep again, passing between waking and resting with little acknowledgment for when he crosses each border.

Outside the gate stays closed, accessible only by fingerprint or intercomming to the house. The potholes and rotten belongings in the yard stay where they are, leaving patches of brown, muddy, dead grass underneath them if removed. The whole building sags a bit, as if it were sighing.

Jason's out of work for five days.

-/-

In the news, there's an obituary with ebullient recitations of the virtues no one who knew Caroline would ever say she had. It goes on to say that she's survived by her one son, Jason, as if Benjamin were shuffled out of reality when he was corralled up on the property, excised from the collective memory of the public.

Flat | Top-Level Comments Only

It does feel wrong, wrong and foreign, like she's put her clothes on backward or something. And while she knows they're safe, it does worry her stomach, to even have the ideas.

"Well... they're pretending to still be one of us, right?" she reasons. "Citizens and Tributes, acting like they haven't switched sides. Which means they'd be more careful to never do anything. So the Peacekeepers can't find they until they mess up and do something."

Her brow knits as she thinks. "I don't know. Maybe the Rebels aren't as organized as we think? If it's a bunch of singular terrorists, that's a lot harder to squash than a big group."

"But how can they even manage anything if the entire city is under surveillance?" He breathes deep, feeling a sort of anxious distress that he can't pin down - it slips out from under any attempt, like a bubble in water under plastic.

"Think of everything that's gone wrong lately. The officers at the crowning. The nonsense at the date auction. Tributes suddenly coming down with illnesses. Something's wrong and it's getting harder and harder to believe what they sell us about everything being under control."

The wrinkles between her eyebrows deepen, and she tries to think, but her brain is working faster than she can sort the thoughts out into things that make sense and things that don't.

"I don't... I don't know, they must have some way. Maybe they have a mole in the Peacekeepers." The idea that something bad is happening makes her want to hyperventilate, and it feels like her lungs have shrunk a bit. "The illnesses... would they hurt themselves, though? It happened to all the Tributes, and they said it was just an effect from bringing them here. That makes sense. Things have to be under control, because if they aren't, then what are they?"

She's clutching his shirt harder than she means to.

"Shh, shh, it's alright." He feels her tense up and seizes on the opportunity to be the strong one again like a dog lunging for a jugular. He didn't mean to scare her, but in a horrible way it feels good to be able to comfort her, to not be alone in vulnerability.

He runs his hand over her shoulder, then smooths her hair, kisses her forehead. "I didn't mean to get you worked up."

"I'm okay," she says, and she's not, she's shaking, because if things aren't how they're supposed to be, then it's wrong, and what will they all do, and it scares her because there are no plans, there's no contingency, and it doesn't matter what she does to try and fix it all.

She looks up at him and there's still fear in her eyes. "What are we supposed to do?"

"I don't know." He can tell she isn't as alright as she's saying, but he figures she needs to believe she's alright and so he doesn't tell her otherwise, doesn't correct her. He sighs and touches her nose with his.

"I promise if I figure it out, you're coming with me, alright?" He looks for the answer in her face. He knows what he's saying is amount to treason.

She does need to believe it, needs to think that she's strong enough to be okay, because otherwise she'll break down from fear. Swann isn't afraid of death, isn't afraid of the end, but she's afraid of the unknown, just like she's be raised to be. Indoctrinated to be.

Her eyes are so big when she fixes them on him, and it's what he says that actually seems to calm her down a bit. She nods and bites her lip anxiously. "I'll go wherever you go, Jason," she whispers. "No matter what."

"Good." He brings her head to his shoulder and keeps stroking her hair, holding her almost like someone would a baby. "I know you will. I'm just being paranoid. I'm sure of it. There's nothing wrong, nothing that stops us being safe at least."

He can't say the same for a lot of the people around them, but he's sure he and Swann aren't getting swept up into seditious nonsense. They know how to toe the line.

She sighs and stops shaking so hard, closing her eye and nuzzling against his shoulder. "Right. We're safe," is all she can murmur, because of course they are, they have some of the most important blood the Capitol has ever known in their veins. The Honeymeads are bulletproof and everyone knows that the only thing capable of hurting a Compson is himself.

They're safe because it's the only possible outcome, because no one can climb to their height, scale their mountain that they share with the Snows and Reagans of the Capitol. The elite, their Olympus.

Swann draws her legs up into her skirt, curled into a ball in his arms, and breathes in the smell of camphor and cologne and bath products, everything that makes up Jason and envelops her in a feeling of safety only rivaled by how she feels when she hugs her father or Eta.

For a while they just lie there, holding each other, certain if nothing else of each other and the strange bond they share, one that seems to overlap but not exist entirely within the concept of love. There are too many other words to describe it: need, desperation, fear of being apart. It seems too large and clunky to fit in a neat category with four slender letters to hold it.

He eventually opens his eyes and sits up, bringing her up with him so they're sitting together. "Let's go fly those kites, alright?"

She feels better to lie there with him, her breathing evening out as she listens to his heartbeat and the other sounds his body makes, just functioning. Swann is relaxed when he sits them back up, and looks at him, her chin perched on his chest.

"Okay," she says, nodding and gently slides away to put on shoes.

He stands in front of the mirror and fixes his hair, realizing with surprise how gaunt he's managed to look in even a few days of minimal eating - his father's strong cheekbones do that for him. His eyes still have dark circles, even though he isn't tired.

When he goes out to the kitchen, Eta has packed them both a lunch.

Swann trots out after him in a rare pair of flat sandals, cream and made to look as if there's a bunny rabbit on her feet, its puffball tail at the end of the piece that separates her big toe. She takes the lunches from Eta with a smile and then reaches for Jason's hand.

"Ready?"

"Sure."

Somehow, his car is the one thing that seems to have been completely unscathed by Caroline's death, still as gingerly-tended as it always was, clean and sleek. He opens the door for her and lets her in, then starts it.

He even has the radio on to some benign classical music station.

She takes her seat in the car, reaching for his hand again once he's inside, and resting her head back on the seat. It's nice with the music, just because it's so rarely on. Sighing happily, she squeezes his fingers, watching him drive.

"It's been so long since we went out with the kites."

"A few months, I think. I brought the gold and white one for you. It'll match your shoes."

At a stoplight he leans over the center console and gives her a kiss on the cheek. Pascal makes a chuffing noise in the back, but otherwise he and Marcel are cooperative.

"I'm feeling better, mostly."

"I like that one best anyway."

She makes a pleased noise when he kisses her, and glances back at her pets behind them, but then beams at Jason, rubbing her thumb along the back of his hand.

"I'm glad. I'm really glad."

"I know." His smile flickers again.

"I can start thinking about, you know. About moving forward." He sounds like he's trying to convince himself as much as her. That moving forward isn't terrifying but has an actual opportunity to it. He's never been good at seeing anything but a black hole in his future, and now that's blinked out and left - God, he doesn't even know. "Once I get rid of the house..."

He should offer to move in with her, but he doesn't.

It's easy for her to tell that he's still trying to take the first step and start really moving forward. She knows it must be hard, even on just a material level; she can't imagine selling Honeymead Manor, even if she never lives there again.

"Well, there's still work to be done on the house," she says slowly, rubbing his hand again, "so you have some time to look around and see what's out there. Like if you want to get a place closer to work or something." She's silent for a moment, then looks up at him. "You can always come live with me, too. It's not like I don't have room, and your wardrobe is already mostly at my place."

"God, I feel like if I don't get rid of it in the next week it's just going to cling to me forever. Like a tumor or something." And yet he can't bear to not sleep there. He rests at an impasse with his own family home.

He furrows his brow a bit and doesn't look at her, just the road. "I'll consider it. I'm not making any promises. You know I like my space sometimes."

"I know."

It's all she says in return, looking forward as well, at the road racing under the car. It's just an offer, and to her it makes sense, because he doesn't even really have enough money to be paying for a new place. But it's his decision, not hers.

"The assessors can come out and look at the property after the funeral, once the will is officially executed. They'll tell you the value on the estate, whether you should fix it up or sell it as-is, which will make more money. It's still your choice, though."

On some level, he knows that it would be best to just live with her, but it also turns his stomach for reasons that have nothing to do with their relationship and everything to do with the way the emptiness in his bank account seems to have nothing but shame to fill the blank space.

"I can't believe she left half of everything to Ben," Jason mutters, mood souring for a second. "I just want to burn it down, honestly."

She can never piece together how to make him understand that she doesn't care about his money at all, that it doesn't represent success or failure to her. After all, surely they would eventually want to live together, and Swann's place simply makes more sense -- she owns it free and clear, it's exactly the right size for the two of them and Eta, and it's a good building.

But maybe he just doesn't want to live with her. She doesn't like to think about that.

"Actually, I talked to one of Daddy's lawyers about that, just because I was wondering? I mean, what is Ben going to do with old furniture, right? Anyway, he says that Ben actually can't legally take possession of half the estate. As his custodian, you do have to put his money in trust, but with Ben going to a care facility, you really just need to provide proof that you're providing for his upkeep."

She glances at him from the side of her eye. "And since he'll have to move before you can sell, I've already had a year's worth of care reserved for him, mostly because I didn't want to lose the spot and paying was the easiest way to keep it open for him. Daddy's lawyer says that with a year's worth of proof, you're unlikely to ever be audited for withdrawing from his trust." There's a pregnant pause, and she examines at her nails, making a mental note that she needs a new manicure. "For his care, of course."

The Honeymead crest on her arm catches light for just a moment as her diamond bracelet slides over it.

His eyes narrow as he thinks of that, and the truth is he's impressed, didn't realize that Swann had the financial savvy to pull that off. The way she treats money is with a certain casual attitude that the Compsons even at their zenith in Jason's lifetime couldn't manage. He forgets, sometimes, that Swann ran her own television show, that she's the only Escort that gives him competition and might even best him for the most productive.

He should have thought of it himself. He knew all this, of course - he's been both Ben's and his mother's legal caretaker for long enough, and Miss Quentin's before she ran off and effectively terminated her conservatorship - but the facts are all spread in different parts of his head and there's just too much of a mess in there right now to connect anything.

He thinks grief should be something that only hurts you in your emotions, in your heart, perhaps. Instead it scrambled up his head and thoughts and has made him tired and pained and sick to his stomach for the last week. It's holistic, holistically terrible and overwhelming.

"God knows I've earned it, taking care of his slobbering self for the last twenty years." He raises his eyebrows. "There's no sign on the proof of care that it was your money that got him the year's reserve?"

She squeezes his hand a little and shakes her head. "Money's in escrow, of course they can't take possession of it until they actually start caring for him. It's all wire transfer from an account under Ben's name with you as cosignatory and executor."

Twisting a lock of her hair around one finger, she glances back at Marcel and Pascal, both of whom have dozed off while the humans are talking. "Once his half is determined, you can break it into multiple trusts for the interest rates. Really, as long as it's ensured that one account can bear enough to support him annually -- which creative accounting should be able to handle, combined with the right interest rate -- the other accounts are unlikely to be questioned. Or even discovered."

Then she beams at him as if she weren't proposing he steal money from his own brother. "And anyway, I plan to negotiate the monthly rate at the institution down, it shouldn't be hard. Which, if I get what I want, will push the initial year's payment closer to eighteen months' worth."

Swann does care for Ben, and absolutely intends to keep providing for him for the rest of his life, but she sees no real reason that he's entitled to half the estate when Jason's been the one bearing the weight for half his life.

Edited 2015-09-23 21:53 (UTC)

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject