Jason Compson IV (
whatisay) wrote in
thecapitol2015-08-03 09:50 am
Entry tags:
Shame Can't Be the Home Where You Live [Open]
WHO| Jason and semi-open
WHAT| Caroline Compson dies and Jason exists in the aftermath.
WHEN| At least a week prior to reaping for the mini-Arena.
WHERE| Compson Manor
WARNINGS| Death, grief, emotional repression.
Jason stops coming to work on Monday, with no more warning than a text to Swann saying can't drive you today and a text to Peggy home from work. After that he lets his phone battery run down, and the few messages that get in before it dies pile up in his voicemail or inbox. He doesn't contact his coworkers, nor does he cancel the meetings with Sponsors he was supposed to be present for.
The servants are all fired. Jason tells them to vacate the premises but they don't, for two main reasons: the first being that they doubt, validly, that Jason would keep Benjamin and the horses fed and cared for, even for a few days, and the second being that Jason doesn't even seem to notice that they're there. He grabs a whole pack of caps for his vaporizer and takes up a sort of vigil on the couch in the moldy, once-beautiful living room, and smokes, at first with a kind of furious intensity and then out of a mechanical inertia, as if it's easier to just keep refilling the cap and staying where he is than to get up and perform any of the many tasks that have laid themselves out at his feet.
When night falls he doesn't even get up to turn on the light, just sitting there on the couch until sleep ambushes him and then retreats in the morning. Freedom is a ball and chain that keeps him stuck here. A few times he feels something like a fist twisting in his gut and he gets up, paces, runs his hands through his hair (which has gotten greasy and lank), and actually putting his body in motion helps to release that tension. His eyes sting and so he smokes more and tries to sleep again, passing between waking and resting with little acknowledgment for when he crosses each border.
Outside the gate stays closed, accessible only by fingerprint or intercomming to the house. The potholes and rotten belongings in the yard stay where they are, leaving patches of brown, muddy, dead grass underneath them if removed. The whole building sags a bit, as if it were sighing.
Jason's out of work for five days.
-/-
In the news, there's an obituary with ebullient recitations of the virtues no one who knew Caroline would ever say she had. It goes on to say that she's survived by her one son, Jason, as if Benjamin were shuffled out of reality when he was corralled up on the property, excised from the collective memory of the public.
WHAT| Caroline Compson dies and Jason exists in the aftermath.
WHEN| At least a week prior to reaping for the mini-Arena.
WHERE| Compson Manor
WARNINGS| Death, grief, emotional repression.
Jason stops coming to work on Monday, with no more warning than a text to Swann saying can't drive you today and a text to Peggy home from work. After that he lets his phone battery run down, and the few messages that get in before it dies pile up in his voicemail or inbox. He doesn't contact his coworkers, nor does he cancel the meetings with Sponsors he was supposed to be present for.
The servants are all fired. Jason tells them to vacate the premises but they don't, for two main reasons: the first being that they doubt, validly, that Jason would keep Benjamin and the horses fed and cared for, even for a few days, and the second being that Jason doesn't even seem to notice that they're there. He grabs a whole pack of caps for his vaporizer and takes up a sort of vigil on the couch in the moldy, once-beautiful living room, and smokes, at first with a kind of furious intensity and then out of a mechanical inertia, as if it's easier to just keep refilling the cap and staying where he is than to get up and perform any of the many tasks that have laid themselves out at his feet.
When night falls he doesn't even get up to turn on the light, just sitting there on the couch until sleep ambushes him and then retreats in the morning. Freedom is a ball and chain that keeps him stuck here. A few times he feels something like a fist twisting in his gut and he gets up, paces, runs his hands through his hair (which has gotten greasy and lank), and actually putting his body in motion helps to release that tension. His eyes sting and so he smokes more and tries to sleep again, passing between waking and resting with little acknowledgment for when he crosses each border.
Outside the gate stays closed, accessible only by fingerprint or intercomming to the house. The potholes and rotten belongings in the yard stay where they are, leaving patches of brown, muddy, dead grass underneath them if removed. The whole building sags a bit, as if it were sighing.
Jason's out of work for five days.
-/-
In the news, there's an obituary with ebullient recitations of the virtues no one who knew Caroline would ever say she had. It goes on to say that she's survived by her one son, Jason, as if Benjamin were shuffled out of reality when he was corralled up on the property, excised from the collective memory of the public.

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"Are you not going to come back then?"
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He should come back tomorrow. Tomorrow and the day after. At the very least having one task to do during the day, when he can't even guarantee that he'll feed himself, will give him some sort of routine.
He grabs his coat and wipes his face again.
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She follows him toward the door, hopes that he'll keep coming back. Maybe he'll start to feel better, spending more time away from the oppressive air of his house, from lingering memories and whispering voices swirling all around his head. Maybe she'll come up with something more to give, some kind of cream to slap on the wound.
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He doesn't fall apart when he gets home. He goes to sleep, and then he gets up at some ungodly hour and goes to the dining room, which has no surveillance, and calls Lorraine. He talks to her for a while, or rather, they sit in silence on other ends of the phone while Jason takes eternities to string together sentences to explain what's happened, and she suggests he visit, and he tells her that he won't be anymore, that he has a girlfriend now. And so they keep talking, for a few hours, and then he hangs up and she goes back to sleep, and they don't know when or if they'll speak again.
On Saturday he shows up at Swann's in the morning, underslept but at least a bit more lively than he was. He grabs coffee from Eta and waits for Swann to wake up at the kitchen table. He even goes so far as to eat a fresh-baked pastry that Eta's prepared. When Swann emerges he looks up at her.
"Let's go somewhere. I don't care where."
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Swann spends the night restless, never getting more than an hour of light sleep in before waking back up. She sits up and stares into the darkness through some of it, wanders the apartment for others, finds herself sitting on the floor in the foyer with Marcel for a while. It's not until daybreak that she actually falls asleep, to the dim blue glow seeping under curtains as it gets lighter and lighter, lulling her until she snores into her pillow.
It's probably a good forty-five minutes before she blearily walks into the kitchen, grabbing coffee of her own and a croissant spread with butter. "Hi," she mutters, leaning to kiss his cheek, and sits next to him. "Any ideas you had in mind?"
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He does. That fantasy they've both entertained is still there, of driving and driving until time stops existing, of going without a destination, the oblivion of leaving all their real world obligations behind. He nearly says that. Instead he's more practical.
"I have a kite in the back of the car."
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"Sounds good. I'll get dressed as soon as I finish eating." She smiles at him and then glances over to Eta. "Pack us up some breakfast to go?"
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"We don't have to go out for long. It would just - god, I feel like I haven't seen the sun in a week."
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Swann shakes her head a little, smiling still, and reaches over to put her hand on his leg. "We can go all day if you want. I'll go anywhere that isn't the Tower, or anywhere near it. Marcel and Pascal could probably use the exercise anyway." She squeezes his knee before finishing her coffee and taking his hand so she can go get dressed.
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He waits while she gets rest, and smokes a cap down on his cigarette while she gets dressed. It's scented like cinnamon, not ginger for nausea or camphor for pain relief or eucalyptus to stave off migraines. It's a break, one that's scented merely for pleasure.
For a moment he's free, and hopes to feel it.
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Swann comes back out, naked except for pink panties that seem to somehow be constructed of only ribbons and sequined lace, and climbs onto the bed, kneeling over Jason's lap to first take his cigarette away (clicking it off as she tosses it to the side) and then hold his face, pressing her mouth against his, her hair falling over his shoulder.
"I'm glad you came back," she says softly, lips brushing against his when she speaks.
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"That sounds nice." He pulls her close, intimate and yet distant all at once, pantomiming happiness with a sort of desperation because he wants to drain this moment for all the peace it gives him. They rest cheek to cheek, heartbeat to heartbeat. "I have some ideas for when I get back to work on Monday. I want your input. You're the only one I trust to give it."
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His house is empty, his mother gone.
Who would he run to except Swann?
"Okay," she says, wrapped around him, and nods. Sex is her bandage, how she knows to put things back together, and he doesn't want it, so she's sort of at a loss. She kisses him again and goes back to getting dressed, pulling away from him slowly until they aren't touching at all anymore.
The next time she comes out, she's fully clothed and in the process of pulling her hair up into a ponytail.
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He feels her pull away and he doesn't know how to respond to her about it. He can't manage right now, so he clings a bit as she goes, like an infant that doesn't want to be put down. When she goes to get changed, Marcel hops up on his lap and he pets the dog, idly, as if it's somehow a temporary substitute for Swann.
"You look nice."
He's trying too hard, and that makes it all the more obvious how awkward at it he is, trying to make someone else feel good.
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"Thank you," she murmurs, holding him as the dog curls up next to them, pressed to Jason's leg. "We don't have to leave just yet, if you don't want to. We can hang out for a little while."
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He cuddles her in his lap, as if his subconscious has finally realized all the affection he was starved of as a kid and is trying to make up for lost time. "We can choose outfits for your pets."
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"Is Peggy still staying at your house?" she asks idly, toying with the collar of his shirt. She's irritated about it, but not at Jason, so it doesn't come across in her tone. She just doesn't understand where Peggy gets off or why she's there -- the servants are still caring for Ben, and Swann is caring for Jason, so what's the point, where is the usefulness? Not to mention that it's just not something Capitolites do, and therefore she doesn't even understand why it's happening in the first place.
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"She'll be gone in a few days. She's fixing it up. I think she's wanted to since the first time she saw it." Jason doesn't say much more about that, mostly because he doesn't want to make Swann feel as if he's divided between the two of them by how much Peggy is helping with just making sure Jason stays fed and showered through the day. More than that, he just doesn't want to admit that he can't seem to manage it on his own right now, that without the two of these women in his life at this moment he would probably be retreating into himself until the surface is entirely too far away.
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"I suppose everything she puts back together is one less thing we have to pay for." The way she presses her lips together is the only indication of her feelings, different from the ones she holds for Lorraine -- with the latter, there's anger and disgust at Jason too, and fury, but for Peggy, she seems to have settled solely on distaste and possessiveness. She doesn't worry that Jason would pursue someone he can't slap a fake claim of Capitolite on, which one certainly can't do with any Victor, and she doesn't even think Jason's aware of the extent to which his relationship with Peggy seems to reach into him.
But Peggy is, has to be if she would show up uninvited and decide she's staying there, in a house with a name that she shouldn't be sullying with her presence, in a neighborhood teeming with more prestige and wealth than she could ever imagine, like some kind of invisible barrier should have detected her unwelcome blood and stopped her from entering at all.
"Those giant D10 hands must be good for something, seems right that it's manual labor."
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"They do wrangle horses out there," he says. He feels that Swann's right, that there's something inherently wrong about this that he just doesn't have the wherewithal right now to correct, that he should feel guiltier than he does about taking advantage of. But he isn't willing to argue with Swann about it or join in. He sees the way her lips purse and he leans forward to kiss them, as if to take the expression off her face.
"Anyway. After she's gotten the fixing bug out of her system I'll kick her back out. I want to go back to work. I don't want to imagine what's building up back there in my absence, even with you doing your best."
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She makes a soft noise when he kisses her, craning her neck forward to lengthen it, then leans back again and brushes her fingers through his hair, thoughtful. "Mostly a lot of Sponsor meetings, Cassian's taken it on himself to schedule them. Emily's perking back up, Gritta's doing excellent -- I dropped in on a rehearsal and they even said she's getting better at the acting part. Everything else is business as usual. Your Sponsors are a grouchy bunch, did you know that?"
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"Damn. Here I was thinking they just didn't particularly like me." He brushes at her hair, breathing softly and slowly. "Gritta's turning out to be a bit of a boon. Wouldn't have guessed that when I first saw her. Easily one of the best to work with, besides the Addams girl."
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"I know, it's a huge surprise!" She smiles at him, blinks and sighs. "I mean, you must be down to... your Tributes are all pretty good now, right? I can't think of any problems with any of them, really."
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While she completely understands Jason's irritation with the situation, it's still the kind of romantic story she's been trained as a Capitolite to have a weak spot for, to want to root for.
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