Jason Compson IV (
whatisay) wrote in
thecapitol2015-08-03 09:50 am
Entry tags:
Shame Can't Be the Home Where You Live [Open]
WHO| Jason and semi-open
WHAT| Caroline Compson dies and Jason exists in the aftermath.
WHEN| At least a week prior to reaping for the mini-Arena.
WHERE| Compson Manor
WARNINGS| Death, grief, emotional repression.
Jason stops coming to work on Monday, with no more warning than a text to Swann saying can't drive you today and a text to Peggy home from work. After that he lets his phone battery run down, and the few messages that get in before it dies pile up in his voicemail or inbox. He doesn't contact his coworkers, nor does he cancel the meetings with Sponsors he was supposed to be present for.
The servants are all fired. Jason tells them to vacate the premises but they don't, for two main reasons: the first being that they doubt, validly, that Jason would keep Benjamin and the horses fed and cared for, even for a few days, and the second being that Jason doesn't even seem to notice that they're there. He grabs a whole pack of caps for his vaporizer and takes up a sort of vigil on the couch in the moldy, once-beautiful living room, and smokes, at first with a kind of furious intensity and then out of a mechanical inertia, as if it's easier to just keep refilling the cap and staying where he is than to get up and perform any of the many tasks that have laid themselves out at his feet.
When night falls he doesn't even get up to turn on the light, just sitting there on the couch until sleep ambushes him and then retreats in the morning. Freedom is a ball and chain that keeps him stuck here. A few times he feels something like a fist twisting in his gut and he gets up, paces, runs his hands through his hair (which has gotten greasy and lank), and actually putting his body in motion helps to release that tension. His eyes sting and so he smokes more and tries to sleep again, passing between waking and resting with little acknowledgment for when he crosses each border.
Outside the gate stays closed, accessible only by fingerprint or intercomming to the house. The potholes and rotten belongings in the yard stay where they are, leaving patches of brown, muddy, dead grass underneath them if removed. The whole building sags a bit, as if it were sighing.
Jason's out of work for five days.
-/-
In the news, there's an obituary with ebullient recitations of the virtues no one who knew Caroline would ever say she had. It goes on to say that she's survived by her one son, Jason, as if Benjamin were shuffled out of reality when he was corralled up on the property, excised from the collective memory of the public.
WHAT| Caroline Compson dies and Jason exists in the aftermath.
WHEN| At least a week prior to reaping for the mini-Arena.
WHERE| Compson Manor
WARNINGS| Death, grief, emotional repression.
Jason stops coming to work on Monday, with no more warning than a text to Swann saying can't drive you today and a text to Peggy home from work. After that he lets his phone battery run down, and the few messages that get in before it dies pile up in his voicemail or inbox. He doesn't contact his coworkers, nor does he cancel the meetings with Sponsors he was supposed to be present for.
The servants are all fired. Jason tells them to vacate the premises but they don't, for two main reasons: the first being that they doubt, validly, that Jason would keep Benjamin and the horses fed and cared for, even for a few days, and the second being that Jason doesn't even seem to notice that they're there. He grabs a whole pack of caps for his vaporizer and takes up a sort of vigil on the couch in the moldy, once-beautiful living room, and smokes, at first with a kind of furious intensity and then out of a mechanical inertia, as if it's easier to just keep refilling the cap and staying where he is than to get up and perform any of the many tasks that have laid themselves out at his feet.
When night falls he doesn't even get up to turn on the light, just sitting there on the couch until sleep ambushes him and then retreats in the morning. Freedom is a ball and chain that keeps him stuck here. A few times he feels something like a fist twisting in his gut and he gets up, paces, runs his hands through his hair (which has gotten greasy and lank), and actually putting his body in motion helps to release that tension. His eyes sting and so he smokes more and tries to sleep again, passing between waking and resting with little acknowledgment for when he crosses each border.
Outside the gate stays closed, accessible only by fingerprint or intercomming to the house. The potholes and rotten belongings in the yard stay where they are, leaving patches of brown, muddy, dead grass underneath them if removed. The whole building sags a bit, as if it were sighing.
Jason's out of work for five days.
-/-
In the news, there's an obituary with ebullient recitations of the virtues no one who knew Caroline would ever say she had. It goes on to say that she's survived by her one son, Jason, as if Benjamin were shuffled out of reality when he was corralled up on the property, excised from the collective memory of the public.

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"Damn. Here I was thinking they just didn't particularly like me." He brushes at her hair, breathing softly and slowly. "Gritta's turning out to be a bit of a boon. Wouldn't have guessed that when I first saw her. Easily one of the best to work with, besides the Addams girl."
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"I know, it's a huge surprise!" She smiles at him, blinks and sighs. "I mean, you must be down to... your Tributes are all pretty good now, right? I can't think of any problems with any of them, really."
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While she completely understands Jason's irritation with the situation, it's still the kind of romantic story she's been trained as a Capitolite to have a weak spot for, to want to root for.
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He rubs Swann's shoulder. "I wish they'd sort all these couples and the like into the same District, at least."
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"Sometimes I think the Gamemakers are worse at feelings than we are," she says, half-laughing. "They stay all cooped up in there and forget that the Tributes are going to be mad and that they'll be separated from people they care about, and that they have to live with the other Tributes in their District indefinitely. They don't take personalities or anything into account, you know?"
She sighs. "I don't know. I think it's gotten a lot more complex than it used to be, and maybe the Gamemakers have forgotten that, at least on the level of dealing with the Tributes. And they may not be Citizens, but they're still people that we have to deal with. At least before, the Tributes understood the system. I think maybe I would be a little irrational too, if I didn't understand and I came from a totally different world."
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"At the very least, it's a pain in the ass for us. I've been trying to discourage them from palling around with the other Districts, because it looks bad for the spirit of the Games, but it's all gone out the window since then." He chews the corner of his tongue. "Is this bedroom blind?"
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"Yeah," she says, nodding. "Bedroom and the bathroom, same as at Daddy's house. Anyway, I guess we can't expect them to stop making friends in other Districts if they have to keep going to all the same parties and events and live in the same tower together. It's not like the old days, where they were so busy that they couldn't get friendly, and then it was into the Arena. It's human nature, I guess."
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"I'm starting to think the Games might be something more to keep us distracted and occupied than for the Districts." He rubs a hand over her shoulder.
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"Distracted from what? The Rebels aren't that strong, we keep catching them."
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"Then why haven't we destroyed them? We have the technology and power to build Arenas that simulate outer space or a candy utopia, but we can't suss out some rebels? There must be a reason we haven't gone scorched earth."
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"Well... they're pretending to still be one of us, right?" she reasons. "Citizens and Tributes, acting like they haven't switched sides. Which means they'd be more careful to never do anything. So the Peacekeepers can't find they until they mess up and do something."
Her brow knits as she thinks. "I don't know. Maybe the Rebels aren't as organized as we think? If it's a bunch of singular terrorists, that's a lot harder to squash than a big group."
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"Think of everything that's gone wrong lately. The officers at the crowning. The nonsense at the date auction. Tributes suddenly coming down with illnesses. Something's wrong and it's getting harder and harder to believe what they sell us about everything being under control."
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"I don't... I don't know, they must have some way. Maybe they have a mole in the Peacekeepers." The idea that something bad is happening makes her want to hyperventilate, and it feels like her lungs have shrunk a bit. "The illnesses... would they hurt themselves, though? It happened to all the Tributes, and they said it was just an effect from bringing them here. That makes sense. Things have to be under control, because if they aren't, then what are they?"
She's clutching his shirt harder than she means to.
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He runs his hand over her shoulder, then smooths her hair, kisses her forehead. "I didn't mean to get you worked up."
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She looks up at him and there's still fear in her eyes. "What are we supposed to do?"
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"I promise if I figure it out, you're coming with me, alright?" He looks for the answer in her face. He knows what he's saying is amount to treason.
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Her eyes are so big when she fixes them on him, and it's what he says that actually seems to calm her down a bit. She nods and bites her lip anxiously. "I'll go wherever you go, Jason," she whispers. "No matter what."
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He can't say the same for a lot of the people around them, but he's sure he and Swann aren't getting swept up into seditious nonsense. They know how to toe the line.
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They're safe because it's the only possible outcome, because no one can climb to their height, scale their mountain that they share with the Snows and Reagans of the Capitol. The elite, their Olympus.
Swann draws her legs up into her skirt, curled into a ball in his arms, and breathes in the smell of camphor and cologne and bath products, everything that makes up Jason and envelops her in a feeling of safety only rivaled by how she feels when she hugs her father or Eta.
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He eventually opens his eyes and sits up, bringing her up with him so they're sitting together. "Let's go fly those kites, alright?"
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"Okay," she says, nodding and gently slides away to put on shoes.
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When he goes out to the kitchen, Eta has packed them both a lunch.
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"Ready?"
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Somehow, his car is the one thing that seems to have been completely unscathed by Caroline's death, still as gingerly-tended as it always was, clean and sleek. He opens the door for her and lets her in, then starts it.
He even has the radio on to some benign classical music station.
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