Eponine Thenardier (
gardienne) wrote in
thecapitol2014-02-17 09:18 pm
Entry tags:
Awake and alive
Who: Eponine and Eva: Eponine and open
What: Eponine wakes up, Eva calms her down and Eponine tries to distract herself
Where: Eponine's bedroom and the common room
When: the beginning of week 4 of the arena.
Warnings: Eponine crying a lot. Probably talk of her endeavours in the arena and before that as well.
Closed to Eva - Eponine's bedroom
Eponine wakes up with a moan already on her lips. She closes her eyes tight again, almost as soon as she opens them. She does not want to be awake. She had hoped beyond hope that they'd just leave her this time, that they were finished with her and would forget about her and leave her dead. But there's no such look and Eponine has to wake up and face the music over what she's done.
She's made such a mess and she doesn't quite know how, and she certainly has no idea how to fix it. She definitely doesn't want to even begin figuring out where to begin with it all now, so she turns over, pulling her quilt right up about her. And then stops, shocked, when she sees Eva.
Open - Later in the Common Room
She's curled up in the corner of the arm chair, an open bag of 'body part fun gums' open next to her. It had been the Capitol's little joke, stuffing them into her gift bag for when she had woken up, and at first, Eponine had been upset. But then she had decided that she wasn't going to let the Capitol see how much they affected her, and so she sits, steadily munching on them.
In front of her, the television screen shows the Games: she watches as Wyatt comforts Howard. But she's not really paying much attention: on her knee is an open alphabet book, another little gift from the Capitol, full of cartoons of herself. She's flicking through it absently, systematically chewing on the sweets as she does so. She needs to get a plan together, to figure out how to survive, and how to live with herself now.
What: Eponine wakes up, Eva calms her down and Eponine tries to distract herself
Where: Eponine's bedroom and the common room
When: the beginning of week 4 of the arena.
Warnings: Eponine crying a lot. Probably talk of her endeavours in the arena and before that as well.
Closed to Eva - Eponine's bedroom
Eponine wakes up with a moan already on her lips. She closes her eyes tight again, almost as soon as she opens them. She does not want to be awake. She had hoped beyond hope that they'd just leave her this time, that they were finished with her and would forget about her and leave her dead. But there's no such look and Eponine has to wake up and face the music over what she's done.
She's made such a mess and she doesn't quite know how, and she certainly has no idea how to fix it. She definitely doesn't want to even begin figuring out where to begin with it all now, so she turns over, pulling her quilt right up about her. And then stops, shocked, when she sees Eva.
Open - Later in the Common Room
She's curled up in the corner of the arm chair, an open bag of 'body part fun gums' open next to her. It had been the Capitol's little joke, stuffing them into her gift bag for when she had woken up, and at first, Eponine had been upset. But then she had decided that she wasn't going to let the Capitol see how much they affected her, and so she sits, steadily munching on them.
In front of her, the television screen shows the Games: she watches as Wyatt comforts Howard. But she's not really paying much attention: on her knee is an open alphabet book, another little gift from the Capitol, full of cartoons of herself. She's flicking through it absently, systematically chewing on the sweets as she does so. She needs to get a plan together, to figure out how to survive, and how to live with herself now.

For Eva
"Why are you here? I did not think you would want to... to see me again."
Re: For Eva
Those parts are forgiveness and that maternal urge to coax a sick child back to health. It doesn't matter that Eponine's sick in her soul and not her body. It doesn't matter at all.
Eponine, sitting on a chair where Eponine's nightstand used to be, reaches forward.
"It takes more than the Capitol to scare me off, dear." She strokes Eponine's forehead, slinking past the defense of the blankets. "I'll have the Avoxes make us fresh tea."
Re: For Eva
Eponine cries and it's ugly. Her face screws up and her cheeks turn blotchy and red all over again.
"Mama, I am sorry. I am sorry! I didn't think they would hurt you. I didn't want them - I didn't mean it. I'm so so sorry. I didn't think you'd love me. I am sorry." Her scattered explanations come out in a cough and a splutter; she sniffs and wipes her nose on her nightgown sleeve.
"I didn't think you'd come back."
Re: For Eva
Chastising, if ever, can come later. She puts a hand to Eponine's shoulder and pulls her close.
"I'm just glad you're back." She tries to keep the tightness in her throat from coming out in sound.
Re: For Eva
"Mama, I do not know what to do. I do not want to cry any more."
Re: For Eva
"But for now, be assured that not all your nightmares have merit."
Re: For Eva
"What is damage control? You will help me to tell people that I am not as much a horrid person as they think? That I do... Love... Charles?"
She wrinkles her nose against Eva. She doesn't love Orc. Not like that. And when he finds out, he AND Howard will hate her.
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[cw: mentions of bidding and sexual assault]
Re: [cw: mentions of bidding and sexual assault]
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Finished?
Later in the Common Room
She sings with her mouth full, her hoarse voice tuneless against the cries from the arena.
"Au clair de la lune,
Pierrot répondit :
« Je n'ai pas de plume,
Je suis dans mon lit.
Va chez la voisine,
Je crois qu'elle y est,
Car dans sa cuisine
On bat le briquet. "
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He finds her in the common room and stops, letting her song block the sounds of pain that came from the screen. Announcing his arrival with a soft, polite cough, he shyly made his way towards her chair.
"...What does it mean?"
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"You shouldn't stay with me, you know? Did they hurt you?" She still doesn't look over to him. Instead, she concentrates hard on the book on her knee.
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He is surprised at the tone he receives... well, he supposes he should not have expected a warm welcome after such an absence. Sigma reaches the threshold of her chair and greets her at her side, his hand on its arm, tilting his head curiously at her question. "Hurt me...? Who?" He allows her words time to sink in. "Eponine, why on earth would that happen?" He has only just returned.
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She turns her head to Sigma now. Despite the nonchalance in her tone, Eponine is clearly worried abouthim, and the state she'd find him in, and how cross Sigma might be with her for hurting him.
"I thought you didn't want me any more. I don't care," she hastily adds. "But I would rather you tell me, so I do not keep waiting."
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"I am not afraid of the Capitol," he replies firmly, bending down at her arm chair to meet her at eye level. From here he can see her cartoon book and the corners of his mouth twitch in an angry snarl. Eponine was truly in bad shape.
When he lifts his eye again, his anger is replaced with a gentle smile. "My dear, there is nothing you could do to make me hate you. You could be truly wicked and you would still have me at your side. I promise you this." A good parent did not abandon their child when they did wrong, no matter how evil they became - no matter what Wyatt Earp believed. Sigma wanted so badly to turn Eponine in the right direction...
He thought of what the Initiate had told him and swallowed. Perhaps in District 13, things could be better for them... But there's no way Eponine can hear it from him yet.
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"I just do not know what to do any more. I am wicked now, if I was not before. Oh god, I am truly wicked. " She shakes her head. "But I had to - oh god, I had to. But I am so wicked! Truly, truly I am."
Oh - whatever. She put her arms around Sigma anyway, cuddling into him. "I am not afraid of them - let them do what they want to me, but I don't want you to be hurt, ever." She buried her face in his shoulder, so what she added would be muffled.
"Oh god, Papa. I am so sorry."
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The singing gave him pause though, because he knew that voice. He found her quickly and watched her for a moment, trying not to think too hard about the last time he had seen him, as pain had overtaken him and he had died, again. The fact that she was here, meant she had died too. Though he hadn't been paying attention, hadn't been watching. It was enough to know it had happened, anger curled in his gut.
"Hey 'ponine." He glanced at the book of cartoons. "Looks like you've got fans."
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She was trying to put a brave face on how absolutely dreadful she felt. Whether she was actually successful in her endeavour was another matter completely.
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"They have a shit sense of humour." He told her, stealing another body part. "But they make good sweets, not sure it makes up for the rest of the shit they pull though."
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"You know, it was the same man who killed me. Not the woman in the wheelchair - she got me last time. But the man who was with her: Monsieur Cuthbert. He killed me as well."
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"He was just playing the game, Ian. Like I was. I am every bit as bad as he is, you know? I killed too. That girl- Homura is her name. I killed her. I don't think it matters if I say 'Monsieur' ornot. What will it change?"
She had given up trying to fight back. What was the point?
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A few tables away was the cat's owner. If she knew Eponine was nearby, she didn't show it. Because, in truth, Homura stopped paying attention to her surroundings some time before. Instead, she seemed content to stare into her coffee, watching the steam, as if doing so would dull the action of the Arena, would wipe the sounds and sights of the non-stop Quell from the area. Or, perhaps, she simply liked watching the waves that her spoon occasionally made in the drink. Maybe it was all of those things.
It was only after a few minutes, that she spoke, and at her voice, the cat's ears perked up. She didn't feel the fur, and she only just then realized that her cat was not on her lap.
"Madoka?"
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"Oh, how I have missed my poor cat. You know, it has been over ten years since my papa killed Guillemond to make sausage. And now you appear to me when I am miserable. Come, Rosalyn, you shall be mine. I shall feed you well and dress tou in such lovely clothes."
Quite unaware of Homura, she burbled on . She stopped only when Homura spoke. Then she glanced first at the girl and then at the cat. That girl had a cat. But of course that girl would have a cat. Of course she would.
Eponine glancdd back at the cat on her lap.
Why should Homura have a cat, whilst she did not? It was not fair. Quick as a flash, Eponine made up her mind. She pushed the cat tight to her belly and zipped her hoodie over it. Then she stood up quickly, cradling her 'belly' and made her way to the exit.
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The fading meow brought Homura's attention up, and her head swerved right towards the doors. Just as they closed shut, on a figure leaving the Commons.
"Madoka--!!"
Homura didn't waste time. Her chair was slammed so hard into the table, it spilled her coffee. But she didn't stop. She ran towards the door, letting out a shout, hoping she could catch the thief before they were out of sight.
"MADOKA-!!"
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"MADOKA!!"
It wasn't possible. No. It just...right from her...
The world began to spin as Homura's mind raced. She didn't see where the figure had gone - the elevators, the stairs, the door? and now, Madoka was gone. She was gone. No. No, she had to get Madoka back, she absolutely had to...
Homura did her damndest to keep it together as she stumbled up the stairs to her floor, then to her room, and finally, to her communicator. This was a nightmare. This...her heart was being ripped to pieces. She couldn't protect the cat. The cat. If she couldn't protect the cat...
How, how, was she in any way protecting the real thing?