Molotov Cocktease (
molotov) wrote in
thecapitol2016-01-04 10:35 pm
Entry tags:
whatever our souls are made of, his and mine are the same.
Who| Molotov, Black Tom and open
What| A wedding reception for the ages
Where| A private estate
When| Between the D7 and D1 battles
Warnings/Notes| General assholery, excessive and gaudy displays of wealth, literal fountains of alcohol, two terrible people who genuinely love each other
The ceremony was small and private, as far as guests went -- you probably weren't invited. The Capitol even granted them a few moments without cameras or recorders for their vows. Tom and Molotov were married at dusk in a room of flowers, a room that's been made completely off-limits until the happy couple themselves are far from it. Once the party begins, it holds the dance floor, illuminated by thousands of tiny fairy lights that shine from inside the greenery, and even the floor is made of flowers, kept pristine and dance-friendly with a layer of plexiglass atop them.
Two bengal tigers in white flower crowns and neck wreaths are waiting to welcome you to the area designated for cocktails, and while the tigers lie mostly still on their perches placed at either side of the door, they do occasionally let out a growl or roar, just for show. The music is quieter here, to accommodate mingling, and while the bar does have practically every variety of beverage ever created, there's a sign to highlight the carefully crafted signature cocktails for the couple:
Permafrost
vodka, elderflower liqueur, white cranberry and lime juice, garnished with an orchid and edible gold flecks
The Barrington
whiskey, simple syrup, and lemon juice, garnished with a sprig of fresh mint and an emerald at the bottom of the glass
Killer Love
champagne, cognac, orange liqueur and a candied hibiscus blossom cradling a diamond
The massive dining area is indoors, though one could be forgiven for thinking they've walked outside -- a domed glass ceiling shows the sky above (which has been artificially enhanced through the glass to include gorgeous starry heavens). Trees and flowers seem to grow from the tables, glowing from the light of soft LEDs in glass orbs amongst the branches. Some of the bulbs contain butterflies instead, white and fluttering around, providing a bit of movement.
There doesn't seem to be a menu; instead, chefs man at least twenty different specialty stations, ready to make custom versions of everything from risotto to grilled cheese, pizza to lobsters. There's an entire table devoted to caviar, another just for varieties of bread and butter. One chef is happy to prepare you a hearty stack of waffles, should you wish.
Though there is one cake that is, obviously and undoubtedly, the main cake, there are several dozen other, smaller ones dotting tables around the room, each with a different look, flavor and decoration.
Towards the end of the party, well after midnight, guests are ushered outside for the send-off. As Tom and Molotov exit, fifty thousand white and gold balloons are released into the sky above them, and guests are urged to wave their sparklers for good luck and congratulations. They leave in a sleek black coupe, complete with custom plates that read CASSIDY.
The music keeps playing until dawn.
What| A wedding reception for the ages
Where| A private estate
When| Between the D7 and D1 battles
Warnings/Notes| General assholery, excessive and gaudy displays of wealth, literal fountains of alcohol, two terrible people who genuinely love each other
The ceremony was small and private, as far as guests went -- you probably weren't invited. The Capitol even granted them a few moments without cameras or recorders for their vows. Tom and Molotov were married at dusk in a room of flowers, a room that's been made completely off-limits until the happy couple themselves are far from it. Once the party begins, it holds the dance floor, illuminated by thousands of tiny fairy lights that shine from inside the greenery, and even the floor is made of flowers, kept pristine and dance-friendly with a layer of plexiglass atop them.
Two bengal tigers in white flower crowns and neck wreaths are waiting to welcome you to the area designated for cocktails, and while the tigers lie mostly still on their perches placed at either side of the door, they do occasionally let out a growl or roar, just for show. The music is quieter here, to accommodate mingling, and while the bar does have practically every variety of beverage ever created, there's a sign to highlight the carefully crafted signature cocktails for the couple:
vodka, elderflower liqueur, white cranberry and lime juice, garnished with an orchid and edible gold flecks
The Barrington
whiskey, simple syrup, and lemon juice, garnished with a sprig of fresh mint and an emerald at the bottom of the glass
Killer Love
champagne, cognac, orange liqueur and a candied hibiscus blossom cradling a diamond
The massive dining area is indoors, though one could be forgiven for thinking they've walked outside -- a domed glass ceiling shows the sky above (which has been artificially enhanced through the glass to include gorgeous starry heavens). Trees and flowers seem to grow from the tables, glowing from the light of soft LEDs in glass orbs amongst the branches. Some of the bulbs contain butterflies instead, white and fluttering around, providing a bit of movement.
There doesn't seem to be a menu; instead, chefs man at least twenty different specialty stations, ready to make custom versions of everything from risotto to grilled cheese, pizza to lobsters. There's an entire table devoted to caviar, another just for varieties of bread and butter. One chef is happy to prepare you a hearty stack of waffles, should you wish.
Though there is one cake that is, obviously and undoubtedly, the main cake, there are several dozen other, smaller ones dotting tables around the room, each with a different look, flavor and decoration.
Towards the end of the party, well after midnight, guests are ushered outside for the send-off. As Tom and Molotov exit, fifty thousand white and gold balloons are released into the sky above them, and guests are urged to wave their sparklers for good luck and congratulations. They leave in a sleek black coupe, complete with custom plates that read CASSIDY.
The music keeps playing until dawn.

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But, in that quiet few minutes before the violins start and Arya (the only other person in the wedding party) is sent down the aisle first, Molotov breathes. Closes her eye. Readjusts her grip on her bouquet. Reminds herself that it's all done after this.
And then she walks through the doors.
The guests arrive while formal portraits are being taken, with Molotov still in her ceremony dress, its majestic train fanned out over the front steps while guests are shooed toward a different entrance so they can't gawk, can only catch a glimpse. Pictures with Tom, with Arya, with the select group asked to attend the actual ceremony -- the pictures that will be released (sold) to the press, along with a handful of candids from the reception that Molotov has specified she'll pick out.
It takes four Avoxes trailing her to keep the dress intact and clean as she heads to change for the reception, out of necessity as much as vanity; the first dress is so delicate and long in the back that she wouldn't actually be able to interact with guests if she didn't switch. When "Mr. and Mrs. Cassidy" are announced, she has a red gloriosa tucked behind her ear, with the rest of her hair refreshingly free of the usual Capitol ornateness that takes hours out of her days and, she's pretty sure, years off her life.
She waves and smiles in response to the applause, holds tightly to Tom's hand, and then makes for the bar at the soonest opportunity.
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He was concerned, lying in bed last night, about the permanency of it all. It's been a while since he's stayed in one place, a decade at least; he's driven to flights of fancy and boredom, to moving on to the next interesting thing when he's used up whatever value he got from where he's at. It's what drove him into crime in the first place, what started him gambling and thieving when he was an otherwise successful Oxford student.
He wondered if he could get bored of Molotov. When he sees her in the wedding dress, and later at the reception, he knows he never will.
"Are you going to have any of the cake, my dear?" He reaches for her and adjusts the gloriosa behind her ear.
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But she wants him to be happy, to soak up whatever it is he gets out of these affairs, the same way she did at the Crowning, where she either clung to him or sat alone, waiting for the end.
It's been days since Molotov slept without an aid, a pill downed with the last gulp of the night's wine. That keeps her solidly asleep for longer than she would ever normally sleep, but it's preferable to lying awake with anxiety and fear and the need for control that she can't seem to regain. Tom at her side keeps her paranoia of night attacks at bay when she falls into a sleep that's practically comatose.
She's not afraid of getting tired of him, she's afraid of being tied down, but how can she defeat that fear other than to face it and prove to herself that it's not the worst thing that could happen? She always has the back-up plan of killing him to free herself, if it's too much.
Molotov is three drinks deep by the time Tom circles back to her, two of her eponymous drink and one of their shared one, the diamond flicked away onto the floor because it's not big enough for her to care about. It's certainly helping, although this is yet another occasion that she's just getting drunk without eating, because her Capitolite stylists and assistants have basically stopped her from consuming anything with more calories than a mint for two days, citing the wedding photos as the reason she should forgo any kind of sustenance. She'd gone along with it because she was too tired and annoyed to fight.
The strings of pearls bounce gently on her shoulder blades as she turns toward him. Her smile is genuine, for once, and she waits for him to re-secure the flower in her hair before she reaches for his hand. "Maybe that cheesecake one, a little bit," she says, running her fingers over the lapel of his jacket. "Why, any particular one you wanted me to try?"
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"The devil's food one is about as rich as we are." It's shaped like a couture castle, too, because of course it is.
He's been drinking too, naturally. It's a wedding between an Irishman and a Russian; to say the alcohol is flowing freely would be a slanderous understatement. It's brought a little bit of rosiness to his cheeks beneath the makeup that his style team insisted he wore, to make him look a little younger, much to his chagrin.
"You should eat something." He gets fussy over her sometimes. It's that paternal streak, maybe, or the softer side of how territorial he gets about her (really, it's a miracle he hasn't had Ford killed and shoved down someone's chimney, a testament to how much he knows it would upset Molotov).
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"Too heavy," she murmurs, taking another sip of her drink as she shakes her head a little, "and I'm not that hungry anyway." It's a lie and the truth at the same time -- her body feels like it's beginning to eat itself, and yet she has no real appetite, doesn't feel like she can eat again until this is all over. She's approached this wedding the way she approaches high profile assassination jobs, with meticulous planning and the kind of intense attention to detail that kills everything in her except her focus.
There's an irony, that she objects to his fussing when she does the same thing to him about his leg, but her single-mindedness turns them into different subjects entirely. He's all about smothering and control, with the best of intentions behind it, and her attention is about fixing a part of herself that needs it.
Because he's part of her now, rain into her ocean that cycles back to his clouds.
She rubs a little at the makeup in the crinkle of his eye, the crow's feet that Capitolites are always working so hard to cover for reasons that she can't fathom. It's a few shades darker than her finger, the concealer that comes off.
"We'll take cake home. I'll eat later."
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But he'll worry over her again tonight, might make some comment about it when they fall into bed together, wrapped around each other like vipers around a healing staff. Whisper in her ear to keep herself strong because of the hurricane that surrounds this city.
"Fine, but I insist you try at least a bite of the devil's food."
He reaches over and wipes the foundation off her finger, rolling his eyes. "They way they past me up, you'd think I'm bound for the crypt. People here don't respect honest wrinkles. They don't let them show until they're on their deathbed."
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idk how I lost this but rest assured i am ANGRY AT MYSELF
YOU SHOULD BE
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Now, the reception is in full swing, and he spots the blushing bride at the bar, so of course he has to sidle up and sling his arm around her. "Beau'iful fuckin' party, darlin'. One of them tigers damn near bit my ear off, guess 'e didn' want to cuddle," he jokes. He's got a Barrington in hand--he's had three already, with three emeralds wrapped in a napkin in his pocket. They make for a good pick-up line, alright?
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But this part, this was all Tom, if the overkill isn't indication enough. And, as always, Molotov isn't enthused to be at a huge party full of weird Capitolites, and she's drinking her way through it, tossing back cocktails like shots. She's going to be totally trashed in an hour at the rate she's going, but she figures it doesn't matter. Most people here are too absorbed in themselves to even notice.
Ford is one of the few who might, even as she fakes her way past everyone else. "I'm happy with how it turned out," she says, leaning her head on his shoulder. "Everything just like I wanted. Like Tom wanted. You really think it's good?"
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"Yeah, Molotov. Really classy do," he confirms. "'Ow's it feel, then? Bein' Mrs. Black Tom." He's joking. He knows Tom's last name. But he's also a huge prick at every opportunity and that usually wins out.
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Ford smells like cologne and it's a nice change from the endless scent of a million different flowers, which Molotov has been surrounded by for a substantially longer time than anyone else here. "Doesn't feel much different," she says, shrugging, and it's true that Molotov and Tom have been married in all but name for the better part of the last year. "It's nice, I guess? This was never as important to me as it was to him and to everyone else. I was surprised he even asked, since I never thought much about it. Anyway, if anything, he's Mr. Molotov, everyone knows that."
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Black Tom | OTA
To hell with anyone who ever insisted on virtue. Clearly, they finish last. It's not just love that fills Tom with this rush of pleasure; it's the sense of having won on some intangible scale.
Despite the fact that all this standing has his leg in fits of cramping, he's quite the social butterfly at the reception. This is his part of the joint venture, of course, because he has a flare for the melodrama and the spotlight. Molotov prefers her privacy, but you don't decide yourself a supervillain and run around in purple spandex because you're camera-shy. He makes his rounds with photographers and then to just about everyone who attended, whether they're here for pleasure or out of obligation or boredom or whatever else might have forced them to the wedding reception of a couple who's largely hated by anyone with rebellious tendencies.
"Enjoying the wine? Aged a hundred years, although it still doesn't pack the kick of something with a proper proof. That's why I'm drinking whiskey" he'll say while petting one of the tigers (they have gilded gold fangs, a procedure Tom had to assure Molotov was perfectly humane). Or he'll say "have you tried the maple syrup candy? I hear it's from the only part of District Seven you can still visit without a gas mask."
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Aunamee hasn't moved with a confidence like this in months (years?). As Panem crumbles into chaos, Aunamee starts to grow, strapping the debris around his ankles like grotesque stilts.
"I am enjoying the wine, dear Victor," he says when he finally finds Tom, still smiling from ear to ear. He hasn't been in the Capitol very long -- only three days -- but he's done his research.
He swirls the wine once before taking a sip, never one dropping his eyes.
"Congratulations."
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So Tom stays, because Aunamee's the most interesting thing around, aside from himself and Molotov, of course.
"Ah, you're a sight. I almost wish you'd been in an Arena with me, so I could have crushed some actual competition." He runs his hand over the tiger's soft ear. The creature bares its fangs, but it's tame. It's never known anything but the Capitol.
Neither Aunamee nor Tom are like that. Tom reaches his hand out to shake Aunamee's.
"I'm honored by your presence here, lad."
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But everything is different now. Tom, after all, is an ally in a world filled with enemies. Aunamee doesn't hear the word 'crushed.' He hears 'competition.'
He takes Tom's hand and gives it a firm shake, all the while watching the other man with curious eyes. He looks for little creases in his brow, for tugs in his smile. He studies the man's face with a mild mania reserved for people he knows will be worth something someday.
"Tell me how it felt when you won."
He can't stop himself. He wants to feel the skull crack under his own weight. It's been too long. Too dark.
"Tell me, does it compare to today?"
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He's surprised when he realizes. In a culture that so lionizes violence, conquest as its entertainment, no one's asked him what it felt like at the moment he won. They've asked what it meant to win in general, but not about that personal revelation in the instant he beat Wednesday Addams' brains into the ground.
Because he's just a pawn to them, he knows, and his leg aches and he leans a bit on his cane to remember it. They only care about what's inside when it manifests outwardly in a way their cameras can record.
His handshake on Aunamee's is firm, friendly, but there's a glassy distance to his eyes as he recalls that moment. It's not glorious daydreaming, but not altogether unlike a follower looking upon a holy relic. He felt a certainty in who he was in that moment, a finality, a closure. He had crossed a precipice and was in a freefall that would never end. Morality was a sham, still is. There is nothing but desire and satisfaction after that point.
Wednesday hadn't even screamed. The cannon went off while her eye that hadn't been turned to red pulp still had that laser-focused light in it, but Tom didn't realize what it was instantly because he still was looking at the shattered tooth he'd knocked into the grass and trying, in a detached way, to place what it was.
"It felt like a puzzle piece falling back into place." He smiles and places his free hand into his pocket. "This feels like the beginning of something wonderful. That felt like the ending of unexplored possibilities I didn't really want anyway."
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Still, he wasn't expected to attend the ceremony, so he had only to suffer through the reception, his nose itching at the heavy, cloying scents of so many co-mingling flowers, all competing with one other. And at least the lighting in the dining room was low.
He could even remove his sunglasses while he rubbed the bridge of his nose; slited eyes narrowing as he cursed the couple for their literal themeing.
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But her nature is that of a mercenary, preferring the shadows and planning and minute details that lead to effortlessly executed missions -- she can cross an active motion detector field in three minutes, fire a single shot into a man's forehead from a mile away, recreate every single one of her contemporaries' explosives signature from memory just to throw blame in the other direction. So it makes sense that, while Tom shouted out ideas and grand visions, Molotov followed behind to fill in the blanks and perfect the plan.
Albert Wesker's name on the guest list was just one more element to account for.
The Avoxes precede Molotov as if to announce her, one with a bottle of red wine and a glass, the other with a dish under a golden cover. They place their items on the table in front of him, the plate revealed to be holding what appears to be a cut of steak, cooked extremely rare. But of course, Wesker should be able to tell the difference between beef and what's been brought in for him, what was alive only an hour ago.
"Imported from Seven," Molotov says smoothly as she approaches, carrying a glass of her own, gold flakes glittering like snow in a snow globe. Her hair is coppery in the low light, pearls and crystals gently swaying against her bare back with each of her steps. "Especially for you. I didn't figure you'd need a full chef's station. The, ah, delivery men weren't even finished with it until after the ceremony, they had me worried. I hate when things don't go according to plan."
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He hadn't given her enough credit.
"I would think they would know better, than to deny the bride on her wedding day," he replied with a small lean, toward the table, inhaling the scent deeply.
(Especially this bride.)
"My congratulations, and - my gratitude."
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She smiles, and in that look is some of whatever it is that makes the Capitol cater to her, that keeps Tom obsessed with her. That exudes confident danger and the fact that she can destroy you before you can blink. That whether or not she does, you're subject to her whims.
"Thank you, and you're welcome." She takes a seat across from him, apparently not bothered at all by the idea of a cannibal dining in front of her. She crosses her legs, ivory silk clinging to her thighs and hips, then takes a sip of her drink before placing her hand on the table.
"I want to thank you. Not just for coming, but for being as... patient as you are with Thomas and his quirks." She's not stupid or oblivious, she knows that her husband is a pompous ass at his best. She knows that he takes all sorts of liberties with his position, that he can be damn near intolerable for those with a low tolerance. And she has no doubt that, if he so desired, Wesker is capable of making their lives extremely annoying. "You and the other Peacekeepers have my greatest appreciation for it."
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Wesker had never put much stock in the old poem, but watching Molotov, feeling the familiarity of that smile (too white, too sharp), he decided firmly that it applied in this case. Of the pair of them, he would need to watch Molotov far more carefully than Tom.
The man could be a problem, if crossed, but she might actually be a challenge.
"For his - proclivities, Thomas isn't the worst associate I've ever had." Better than many, actually, but he didn't offer that. He reached easily for the gleaming silverware, and turned the bloodied plate around. "I can trust him alone with the sharp instruments."
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As a businessman and consummate workaholic, Sinclair didn't much care for the flowers and hullabalooo that comes with weddings but they were social events and, at Nina's urging, he had to get out of the office. Poor girl was running herself ragged making sure that the war didn't mess with her boss's schedule but even Gus could see why she hesitated to RSVP him here. It's a celebration of a Capitolite marriage, the sort that at the age of 38 should've been in about five years ago.
Eh, free drinks and Miss Carnegie was sent home to be with her family during these trying times. Meanwhile, Augustus took the chance to study the crowd, watching them attempt to revel in the flowers and the events themselves. He's enjoying the Barrington cocktail though the emerald is set aside for souvenir and to entertain himself with the properties the small stone had.
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Granted, Tom doesn't have such a fondness for corporate crime - it's too remote, too detached, and he likes the blood and the gunpowder (and the Spandex) - but he understands and more importantly, respects the power of the institutions. It means he wants to suck up as much as his dignity will allow at an event that is, after all, all about him.
He pats one of the gold-toothed tigers when Sinclair walks by. "Are you enjoying yourself, lad? I can only imagine you've seen many an event like this, but have you ever seen a bride of that caliber?"
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They are talking about Molotov Cocktease, no other sight was worthy of attention, causing the businessman to raise his glass and say, "Like a rose in May, I'd reckon. Mrs. Cassidy, one for the ages and Panem's history."
And for once, there's sincerity in his words, Molotov was as beautiful as a rose, and just as thorny.
"I bet you're the happiest son of a gun in all the land today."
Which means this meeting isn't by chance. Hell no.
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But he can still play along, for now. Happily, even, if they'll shower attention and luxury on him as they do.
"I'd be hard to best at that. I still can hardly believe she agreed to marry. You'd think a woman like that would know better." He lets go of Sinclair's hand. "I'm glad you could peel yourself away from the bank, lad."
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"Couldn't stay cooped up with the books, I am human after all," he responded with a shrug, "Though I congratulate you both in this. You make this all look easy, and with ventures to boot." Ventures he can invest should Tom want that sweet, sweet cash.
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