Bayard Sartoris II (
yoknapatawpha) wrote in
thecapitol2015-10-18 05:14 pm
Entry tags:
Spin Me 'Round Like a Child [Closed]
WHO| Bayard Sartoris and Swann Honeymead
WHAT| Two cinnamon rolls go to the circus.
WHERE| Panem Zoo & Circus
WHEN| Backdated to before the Arena.
WARNINGS| None, just a cute platonic friend date.
With Beck's help, Bayard looks smart and put-together as he takes a car to go see Swann Honeymead at her home and escort her to the circus. He politely talks to the chauffeur, explaining that he's never been to a circus before, that he only saw advertisements for traveling shows that his Granny had said were much too vulgar for a boy his age. Well, he's near a man now, and he reckons he's old enough to see a show, even if it ain't traveling, especially if he has a lovely, gentle lady going with him to explain it all. The chauffeur is disinterested, but at least very polite about it.
He's well-aware that Swann's humoring him, but she does seem to enjoy spending time with him, and he thinks she's been awful tired and stressed lately. It shows on little body like hers, as if exhaustion is all the same size and stamping it onto a tiny person covers them up more than it would a big person. Bayard's heard through the grapevine that Swann's helping District Seven out and Bayard imagines that if he were from a District he might resent that, but since he's here with no stake in who among the poor gets the extra food he sees such an act of kindness as something admirable. He'd like to tell her such himself.
When the chauffeur drops him off, Bayard finds himself in front of a building he doesn't even have the ability to conceptualize as a home. He comes up through the parking lot, gives his name to security and rings the bell.
WHAT| Two cinnamon rolls go to the circus.
WHERE| Panem Zoo & Circus
WHEN| Backdated to before the Arena.
WARNINGS| None, just a cute platonic friend date.
With Beck's help, Bayard looks smart and put-together as he takes a car to go see Swann Honeymead at her home and escort her to the circus. He politely talks to the chauffeur, explaining that he's never been to a circus before, that he only saw advertisements for traveling shows that his Granny had said were much too vulgar for a boy his age. Well, he's near a man now, and he reckons he's old enough to see a show, even if it ain't traveling, especially if he has a lovely, gentle lady going with him to explain it all. The chauffeur is disinterested, but at least very polite about it.
He's well-aware that Swann's humoring him, but she does seem to enjoy spending time with him, and he thinks she's been awful tired and stressed lately. It shows on little body like hers, as if exhaustion is all the same size and stamping it onto a tiny person covers them up more than it would a big person. Bayard's heard through the grapevine that Swann's helping District Seven out and Bayard imagines that if he were from a District he might resent that, but since he's here with no stake in who among the poor gets the extra food he sees such an act of kindness as something admirable. He'd like to tell her such himself.
When the chauffeur drops him off, Bayard finds himself in front of a building he doesn't even have the ability to conceptualize as a home. He comes up through the parking lot, gives his name to security and rings the bell.

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"Are you ready to go?" she asks, smiling, reaching for his hand, her other clutching a purse shaped like a roaring lion, covered in crystals that match the ones on her tiny top hat, pinned securely into her hair. "We have really good seats, center ringside! We'll be able to see everything up close."
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He holds his arm out to her. "I'm much obliged for you to take me to this, Miss Swann."
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She guides him back into the elevator to head to the garage. "It's my pleasure, Bayard. Really."
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"I hope you'll still say so when the night is over!" he says. With pride, he hits the right button in the elevator.
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Bayard's grin always widens when the elevator doors open. It's a little miracle, them moving as if by will instead of push.
"I had a car ordered. They should be waiting for us."
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"I certainly hope I don't! Maybe I've done an awful lot of growing since I was brought here. I'd owe thanks to you and Miss Tabris and Miss Beck, I think."
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"You don't owe me a thing, Bayard. Besides, I met you right after you came out of the Arena and you were already a gentleman."
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But he blushes, sitting down next to her in the back of the car with a grin that goes ear to ear.
"What animal are you most excited to see? I want to see an elephant. I hear in the Indies people ride elephants into battle."
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Swann thinks about it for a moment, rolling her eyes up as she considers. "Elephants are good. I think I want to see a lion. Their manes are so big and pretty."
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But it wouldn't do to bellyache when they're going to a nice show.
"Have you ever pet a lion? I'd bet a lady like you could wish for just the sight of one and you'd have a dozen suitors bringing whole herds of lions on leashes to your doorstep."
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Which is a terribly easy thing for someone born into wealth, praised and adored purely because of her surname, to say.
She laughs a little and shakes her head. "No, I've never pet one, I would be too afraid it would bite my hand right off! Anyway, I never like a man who thinks they can win me over with presents. Or lions. I just like people who are nice to me, and honest."
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Bayard, too, was born into wealth and adoration - but the war took that, the nature of his sparse homeland which could never provide the luxury of the Capitol without a hundred years of technological advances and then some. He knows entitlement, but not indulgence.
"Then I promise to always be kind and honest to you, Miss Honeymead."
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Swann beams and leans over to kiss Bayard's cheek, delicate and careful so she doesn't leave a lipstick stain. "I promise the same, Mr. Bayard. We should be kind and honest together, not just one way."
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He blushes at her kiss, and the flush of it would hide lipstick anyway. "I swear it, Miss Honeymead. Now, are we near there?"
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The car stops not long after that, and the driver opens the door for them. They're at a red carpet, as if an event such as a circus demands something so ridiculous, and that leads to the kind of circus tent that seems to have sprung from a child's imagination. It has dozens of raised peaks and is made of red and yellow swirled satin that spans at least a football field's length. There are beautiful, painted women balanced on plastic balls at the entrance, and they smile and juggle clubs as an usher escorts them to their seats.
Swann takes her place in her enormous velvet recliner and grins at Bayard, reaching for his hand while Avoxes swarm in to give them sodas and kettle corn and cotton candy, among other treats. "Are you excited?!"
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Even in Panem, he's never seen anything quite like this. He clutches Swann's hand as they walk through, feeling more inadequate and childish than he imagined he could have before. He sits and absently paws at the kettle corn, but doesn't eat it yet.
"Are those crocodiles they've got down there in the ring?"
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"Hmm, I think they're alligators. Alligators have wide noses, crocodiles have those long, skinny snouts," she announces, squinting. The alligators have been painted beautifully and adorned with jewels, and a pair of daredevils are sticking their heads and limbs in the alligators' mouths, the wide open jaws. The crowd cheers each time an arm or neck is revealed to not be snapped off and devoured.
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"Would you like me to buy you a souvenir, Miss Honeymead?"
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She beams at him, cocking her head a little bit. "Oh, don't worry about spending your money on me, Mr. Sartoris! But I promise that if I see something I like, I'll let you know."
After all this time, she knows him well enough to know she'd offend him if she outright rejected the offer. Bayard isn't so different from many Capitol boys and men, honestly, at least in the way they treat women. It makes it easier for her to interact with him, because she already understands the ground rules.
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Every time Swann talks to Bayard, he has a tendency to flush a little. It's the idea of playing at this adulthood, of performing as the proper young man courting a beautiful lady with no expectation, in such a paradise as this circus. He feels the same thrill as when he rides his father's horse. It's as if he's peeking just above the garden wall of his youth.
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He's so sweet, like she always imagined boys would be when she was his age, but she wasn't pretty yet. She was still tiny and shy, scared of them all, and then when she hit puberty and grew a spine, they weren't sweet, at least not really. They only wanted things.
The music changes and the lights move, and Swann points towards the ceiling of the tent, where trapeze artists, dressed to look like glamorous birds, are taking their marks.
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"Oh, golly!" Bayard gasps as he looks up and sees the trapeze artists. From where he is, they seem like whirlwinds of rhinestones and feathers as they drop into angels, gazelles, crucifixes, paperclips, amazon holds. One swings to the other and they seem to hang by the strength of one's neck alone. "Are they even people?"
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Swann severely overestimates how well the performers are treated, though she's probably right in assuming that it's a better job than slaving in a field or a factory.
[cw: racist language]
[cw: thoughtlessly repeated racist language]
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