J (
travail) wrote in
thecapitol2015-08-29 07:11 pm
Entry tags:
I go to seek a Great Perhaps.
Who| Bucky Barnes (fem!AU), Peggy Carter (Panem), and Steve Rogers (AU)
What| Some Srsbsns Talk and some Girl Talk with Peggy. And some more awkward Steve time.
Where| Training Center and a bar in The Capitol where Bucky works.
When| A few hours after Tony's execution. And then a few days later after Celebrus was published.
Warnings/Notes| Likely talk of death, violence, torture etc.
Bucky has come down to the central commons now dressed like she belongs in the 21st century, the money for which came from her job she got recently, and is actually leaving to go to. She doesn't have a shift, but the manager forgot to lock up this morning and asked her to do it for him since she was the only one he could reach.
Like anyone would be at this point, she's distracted and grim. The broadcast of that execution has bothered her since she saw it, and not just because a man was shot in the head on camera as a message that really needs no words. That man looked familiar, though she's sure she never met him before, in a place like this with multiple versions of people, it has her feeling uneasy.
She also wants to talk to Peggy after that anonymous message on the "safe post", though she knows she can't talk about that. There's little she can really talk to her about, but she can ask her about the man who was executed. So as she walks through the central commons, she goes at a leisurely place and keeps an eye out for her without actually looking around.
What| Some Srsbsns Talk and some Girl Talk with Peggy. And some more awkward Steve time.
Where| Training Center and a bar in The Capitol where Bucky works.
When| A few hours after Tony's execution. And then a few days later after Celebrus was published.
Warnings/Notes| Likely talk of death, violence, torture etc.
Bucky has come down to the central commons now dressed like she belongs in the 21st century, the money for which came from her job she got recently, and is actually leaving to go to. She doesn't have a shift, but the manager forgot to lock up this morning and asked her to do it for him since she was the only one he could reach.
Like anyone would be at this point, she's distracted and grim. The broadcast of that execution has bothered her since she saw it, and not just because a man was shot in the head on camera as a message that really needs no words. That man looked familiar, though she's sure she never met him before, in a place like this with multiple versions of people, it has her feeling uneasy.
She also wants to talk to Peggy after that anonymous message on the "safe post", though she knows she can't talk about that. There's little she can really talk to her about, but she can ask her about the man who was executed. So as she walks through the central commons, she goes at a leisurely place and keeps an eye out for her without actually looking around.

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When Bucky catches her eye, Peggy immediately perks and shoots her a look that borders on pleading. Save her.
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"Excuse me," She says as she comes up to his side and touches his arm gently at the crook of his elbow, a sensitive spot on the human body she knows will have a chill response that has him immediately looking to her. She catches his gaze with the best shy but sultry tilt of her head and small smile she can muster, making a show of side-eyeing him, gaze moving head to toe, "I saw you across the room and just... couldn't take my eyes off that beautiful tint you've got. Blue is my favorite color, you know."
As she distracts his gaze, her other hand goes up to his shoulder while the one on his elbow slides over to the middle of his back, encouraging him to turn more towards her. Should be enough time for Peggy to disappear and she can get away on her own. She's not famous or nothin'.
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Peggy will be waiting in Bucky's District with a bottle of tequila in thanks. She has been spared from having to start gnawing off her own arm to escape.
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She'll likely regret this after that article about her gets published in Celebrus Magazine.
She ditches him at the bar she works at, pretending that it's open and she has a shift. After he leaves, she goes back to the Training Center, which wasn't far, so it's about an hour later when she comes up the elevator to the 11th floor. She hadn't expected Peggy to be there, but she doesn't look surprised, just raises her brows a bit and then huffs a little in amusement, plopping down to sit in a nearby chair in the common area.
"... Why would anyone dye their skin blue?" She says with a perplexed tilt of her head, though she's exaggerating her confounded reaction to draw some humor out of it. It's not really that confusing to her. Though still really out there.
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She's been gone for an hour, so the man probably bored her to tears as well. Peggy tries to focus on that and not on the real reason it feels like she has no patience for anyone from the Capitol right now. Peggy picks up the tequila and holds it out to Bucky.
"I got this as thanks."
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She looks at the bottle label and then back at Peggy with a more anticipatory edge to her smile. "It's even easier to string men along when they're lit." She stands, placing the bottle on the center table "I'll get some glasses."
Not even gonna ask if she wants one, she's 99% sure the answer is yes. She hasn't forgotten the video or the conflicting way it's made her feel. And she suspects they're both gonna need something to drink when she asks Peggy what she's wanted to since it broadcasted. She finds a couple shot glasses and comes back to start setting them up and twisting the cap off.
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The smiles relatively quickly, though. She wishes she could be happier, but a heavy feeling has settled on the Tribute Center, and she can't shake its effect on her. "It's not just men. I wouldn't be able to do half of what I do if I couldn't string along men and women."
And that's more literal than she makes it out to be. She wouldn't be any good at getting any information without her charm.
For Steve. After Tony's death and after drinks with Peggy
But today is a day where a crack forms in that box and she needs to work it out. Her body was growing restless up on the 11th floor as her mind just got nowhere and kept swirling right back to the same spot. She walks in wearing typical training attire in blacks and grays and her hair tied at the nape of her neck. Since they have no guns, she's been honing knives, though it's a weaker skill and she prefers long distance. She's eyed the bow and arrows in the area a few times, but she doesn't think she has the luxury of time to try and teach herself a new weapon. Not without a really good teacher.
So while she's here, she'll alternate between knife throwing practice and kicking the asses of the randomly arranged human-shaped punching dummies like they're a group of enemies. She's in good shape, so she won't start breaking a sweat right off the bat, but she doesn't stop much at all for anything, but if she notices Steve, she might. Or he can come pick a fight with her, she would be open to that. But he'll have her on the floor in like less than a minute, that's for sure.
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He's been walking all day through the Capitol, eyeing the peacekeepers on the streets. Looking for a fight. He manages to make it back to the Training Center with his head down - no trouble, like he promised he'd try for. The trade off is that he feels like he's going to burst out of skin by the time he makes it down the elevator, still looking for a fight.
Unfortunately, the only person down here is one of the last people he wants to fight with. Steve watches her from the sidelines, not announcing his presence but not slinking away either.
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"Contrary to popular belief, women don't like being watched from afar." She teased him sometimes about knowing nothing about women despite being friends with her for years. She reaches up to re-adjust her hair-tie. "It's unnerving."
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"Didn't want to interrupt." Didn't know how to approach her and didn't want to let himself give in to retreating again. She's the one to always initiate conversations - he's perpetually stuck trying to catch up (her more visibly comfortable, him not able to fake it as easily). Pushing forward is what he does, whether he's functional or not, and she's a massive roadblock that he can't just force himself past with the usual brute force methods he employs to deal with his problems.
It's frustrating, but then he just turns that frustration back on himself.
He starts to head to the opposite side of the gym, setting up some training dummies for himself without a plan that goes any further than: I want to hit something.
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"Hey. I'm kinda tired of motionless dummies. I think I need to upgrade to one that moves." She balls up the black top as she gets closer and puts it on a bench. "What d'you say?"
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"Not sure that's a good idea."
Having entirely something to do with her being much smaller and him not entirely trusting his ability not to hurt her. It's been a long time since he's sparred with anyone - and with that comes the realization that he's been kept out of anything resembling a combat situation since he was let loose in SHIELD's basement - since he murdered a defenseless prisoner and nearly killed two of his friends.
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"I know damn well you could hurt me. If you wanted to. But I trust you won't." She says it like this should be obvious information and fixes him with a level stare.
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He abandons the weapon rack and steps toward to a section of the gym with the floor padded, returning her level stare with one of his own, shoulders squared and eyes narrowed - a quick flash of fear or uncertainty flickering through his expression before it's forcibly extinguished. He's already committed.
"Whenever you're ready."
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It has her studying him closely as she walks over to the mat, not in any way suspicious or confused, just interested and kind of cautiously eager to see what happens next. She'd be crazy not to be cautious and crazy not to be a bit nervous, but she stands by what she said just now, even if he's different, she's not afraid of him. Not even with that look, one she's never seen on that face before, but still it doesn't scare her. Especially not after she catches that flicker on his face, and that has her even more curious and also concerned. She hides the worry, but it does have the effect of her body language loosening up a bit as she stops to stand in front of him.
She knows he can't be afraid of her, so that leaves only one other thing: himself. For a moment she rethinks this, not wanting to force him if he's afraid... but selfishly, she wants to learn more about him and get the pent up frustrations of everything out. Hit something, fight with someone because neither of them have any power here, and once again, they're shackled and forced to silently endure or scream. She doesn't want to do either.
So she starts off the fight with a feinted jab to his left side and then quickly drops down to send a low sweeping kick from the right, looking to kick his feet out from under him.
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It's then that she lets her anger show, glowering at him and standing still as stone except for the slight tremble in her arms and hands. They aren't tense fists or shaking with rage like the rest of her is expressing, but a haunted pain. She hates feeling powerless, she hates being led by the nose and having her mind and feelings toyed with. There's a measure of hurt in her eyes that seeps in a minute later as her breathing starts to calm more. She's usually so good at putting on the right face and keeping this in a box...
And belatedly, that's what she does, tearing her eyes away and looking to the ground, feeling self conscious and almost ashamed. Shocked at herself, too. Then she takes a shaky step to the side and walks around him to go pull the knife out of the wall. "Sorry."
She pulls the knife out and turns around, pulling in a breath and letting it out in a huff, eyes still downcast. There's a lot of thoughts turning in her head, things she abruptly has an urge to say and ask, but having no idea of she should after that or how.
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The flash of metal catches his eye just before it whizzes past his ear. He freezes, blood pumping in his ears as he registers the anger on her face and waits for her to come at him with a second weapon. She doesn't - just walks right past him and pulls the blade out of the wall - and he's still waiting up until the moment she says sorry. Sounds like a foreign word through the buzzing in his ears.
"Why?" His tone is flat but it feels like someone else using his mouth. "You missed."
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"You think I was aiming for your face?" Then she looks down at the knife in her hand before shoving it back into its sheath behind her. "... No, I didn't miss."
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She comes up from behind him on one side and puts a hand on his bicep to get his attention, looking up at him, her face tense with concern.
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"What?" But he can sort of tell what, by the look on her face. He tries not to grimace and shrugs her hand away. "It's fine."
No one got hurt.
(no one got what they wanted either though)
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"Was it HYDRA?" She asks quietly, abruptly, body tensing and teeth clenching hard after it's out of her mouth. And she's immediately surprised by herself again, though she doesn't take the question back. She's not asking for details, she doesn't need them. It's a yes or no question if he needs it to be.
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"HYDRA's done." His voice goes flat again. "Schmidt destroyed himself and Zola's dead." A pause.
"I killed him myself."
There's an unmistakable grim satisfaction in his voice, helping to mask the fear and self-loathing that tends to follow any thoughts of that incident. His Bucky hadn't been sorry to see Zola dead - only effect it had on Steve later. Peggy was the only one frustrated by the doctor's death, but that was because it made rooting out the rest of Zola's agents and co-conspirators more dangerous in the aftermath.
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She understands the satisfaction and glances at the ground. And she decides that if she's not going to push him to say more, she owes him an explanation for blindsiding him into talking about it. "I've imagined killing him more times than I can count."
Then she lifts her gaze back to him. "Let's just say that. A lot of the time, you look how I feel." For a moment she considered saying something more specific than that but she's never directly talked about it before, and she has no reason to start now. He can get the picture pretty easily without her spelling it out.
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He looks away, eyes fixed on the ground as his brow furrows. There's a long pause.
"You wanna go again?"
Sparring. He can try again.
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After a pause, her mouth shifts into a bit of a small smile that comes with an idea forming, one that feels right and it's funny that it didn't pop up until that moment. "No."
She crosses her arms and raises her chin a bit as she looks at him, the corners of her lips curling. "I want you to teach me something."
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"Teach you what?" Nothing immediately springs to mind at her request. He's never taught anyone... anything.
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Her Steve was in the same kind of position, but she's more aware now than ever that this Steve has had different experiences and after their fight (if you can even call it that) just now, it seems like he knows more. "So. You saw me just now, what would you have done differently if you were me? Let's start there."
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His arms move to cross over his chest and gives a thoughtful frown at the ground again, canting his head to one side - it takes him almost a minute to answer.
"You're keeping too much distance. You wanna be quick, but I can read what you're planning to do halfway before you can get close enough to do it."
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"It's still strange to say, but I only come up to your damn nipples. You could take my head off this close." Strange because he used to be shorter than her. And she's not forgetting about weaving and dodging, but he's faster than her too. She's trying to reason out how she can be quicker. She supposes "reading" him like he just said, maybe. It's hard to think this far out of her comfort zone, though.
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"Then you hit me somewhere it's really gonna hurt before I can." Not his middle.
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"Be careful who you give that advice to. You might get a punch below the belt for your trouble."
Basically: you'll get kicked in the balls, Steve.
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"Whatever works." That's kind of what he was going for. Not that he's looking for a kick in the nuts.
"But you better make sure your target goes down." Otherwise you're just going to end up with a pissed off opponent.
Post-Celebrus
It's hard to not spend time with Jamie. She has the same magnetism that all Buckys seem to have. Peggy wants to talk with her and relax and let loose, and she'll argue that there's no conflict of interest because Jamie isn't her Tribute so she can't show her favor or disfavor. As long as she doesn't give her any advice on how to deal with the Games or the media, she can pretend she can keep her work and her personal life completely separate.
They agreed to meet up for drinks. She's waiting at the bar, having gone a little early so she wouldn't have to keep Jamie waiting.
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She comes back out not long after, now with a bit of trepidation in the set of her shoulders, the kind that someone would have when they're self conscious and doing pretty good at hiding it, but not perfectly. Because, well, in the time between they talked about meeting for drinks and now, Celebrus was published... and she has a shift with Steve tomorrow, goodie.
"Of all the gin joints in all the towns in all the world, you walk into mine." She quotes and cocks her head a bit with a grin as she sits at the bar next to Peggy. It's overcompensating for how she feels and she knows it. Like hell Peggy would know Casablanca, but she says it in that recited tone a person uses when quoting and making a reference to something, so at least there's that.
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Jamie is holding herself a little oddly, but Peggy doesn't blame her. Peggy also has a vague unease when she's with Jamie, but the woman's company is good enough that she overlooks it. Still, it seems a little odd.
"How was your shift?" she asks, signaling another bartender over with a smile. She's getting whiskey.