Bayard Sartoris II (
yoknapatawpha) wrote in
thecapitol2015-03-29 05:46 pm
So I Found Some Ground to Stand [Open]
WHO| Bayard and open!
WHAT Bayard adjusts to the modern day.
WHEN| Before and after the Crowning.
WHERE| Throughout the Tribute Center.
WARNINGS| There may be period-specific racism since Bayard's from 1863. Please let me know which prompt you're using!
I.
Ever since Sam showed him how to use a ballpoint pen, Bayard has taken it upon himself to be District Twelve's resident artist. That isn't to say that he's any good, but he fills sheets and sheets of paper (that seem to come to him for free whenever he asks it!) with crude sketches of men with swords and rifles, riding horses, of cannons and bears and dogs and sometimes of other Tributes. He doesn't throw away any of the pages, instead tacking them to the wall with another of the future's great inventions, Scotch tape.
It's a much better medium than drawing in the dirt with a stick, or begging Granny to use some of her pokeberry juice on a scrap of cloth, and the best is that it seems endless. Whenever he's done with one drawing there's an Avox who seems ready to bring him another fresh sheet of paper, in reams larger than any book Bayard's ever seen.
If anyone walks in on him 'at work', he's eager to explain to them that he drew that art on the wall, thank you, isn't it nice? He'll draw something for you too if you stick around long enough.
II.
Every few hours throughout the day, and usually once at night, Bayard can be heard running down the stairs from District Twelve, past every floor, and out the door to the lobby, whereafter there will be silence for a few minutes, and then he will return, bounding back up the steps to the twelfth floor with the indefatigable energy of youth. Because he has discovered how the kitchen sink works - what a fantastic invention! - he politely washes his hands when he returns.
"It's queer that they would build a bedroom so far from an area to relieve yourself," he says to the nearest person as he washes, as if trying to subtly brag that he's civilized, thank you. "And even more strange that they would make such a tall building and not put a single outhouse in the area."
He also hasn't showered yet, but one night he can be found getting towels wet in the sink and washing himself diligently with a bar of soap. He's decided that hauling pots of water up the stairs to the twelfth floor to fill the bath tub is just something he isn't up to doing.
III.
A wiser man than him, Bayard thinks, might stop making himself ill with all the food here. He's sure that Granny would chide him and remind him of the virtues of temperance if she could see him, sitting cross-legged on the kitchen floor, sampling a little bit of everything. He mouths out the words, syllable by syllable, on every label, thinking that some of them sound like ingredients from the recipes Granny used to read him and Ringo for entertainment and some of them are words that look made up.
He surrounds himself with Chips Aha!, salsa, soy sauce, Froot-O's, canned tuna, Meataroni, sour sugar worms, and about ten different sorts of pastries from the drawers, once he realizes that they're hiding in plastic wrappers (how strange that they aren't in cloth or paper!).
Every once in a while, if he tries something and pulls a face, he puts it in a spoon with a sugarcube and gives it a second chance, thinking it's only right to give every strange delectable a fair shake. And just about everything tastes better with sugar dumped in it.
He has the decency to look a bit sheepish when anyone catches him in the act.
WHAT Bayard adjusts to the modern day.
WHEN| Before and after the Crowning.
WHERE| Throughout the Tribute Center.
WARNINGS| There may be period-specific racism since Bayard's from 1863. Please let me know which prompt you're using!
I.
Ever since Sam showed him how to use a ballpoint pen, Bayard has taken it upon himself to be District Twelve's resident artist. That isn't to say that he's any good, but he fills sheets and sheets of paper (that seem to come to him for free whenever he asks it!) with crude sketches of men with swords and rifles, riding horses, of cannons and bears and dogs and sometimes of other Tributes. He doesn't throw away any of the pages, instead tacking them to the wall with another of the future's great inventions, Scotch tape.
It's a much better medium than drawing in the dirt with a stick, or begging Granny to use some of her pokeberry juice on a scrap of cloth, and the best is that it seems endless. Whenever he's done with one drawing there's an Avox who seems ready to bring him another fresh sheet of paper, in reams larger than any book Bayard's ever seen.
If anyone walks in on him 'at work', he's eager to explain to them that he drew that art on the wall, thank you, isn't it nice? He'll draw something for you too if you stick around long enough.
II.
Every few hours throughout the day, and usually once at night, Bayard can be heard running down the stairs from District Twelve, past every floor, and out the door to the lobby, whereafter there will be silence for a few minutes, and then he will return, bounding back up the steps to the twelfth floor with the indefatigable energy of youth. Because he has discovered how the kitchen sink works - what a fantastic invention! - he politely washes his hands when he returns.
"It's queer that they would build a bedroom so far from an area to relieve yourself," he says to the nearest person as he washes, as if trying to subtly brag that he's civilized, thank you. "And even more strange that they would make such a tall building and not put a single outhouse in the area."
He also hasn't showered yet, but one night he can be found getting towels wet in the sink and washing himself diligently with a bar of soap. He's decided that hauling pots of water up the stairs to the twelfth floor to fill the bath tub is just something he isn't up to doing.
III.
A wiser man than him, Bayard thinks, might stop making himself ill with all the food here. He's sure that Granny would chide him and remind him of the virtues of temperance if she could see him, sitting cross-legged on the kitchen floor, sampling a little bit of everything. He mouths out the words, syllable by syllable, on every label, thinking that some of them sound like ingredients from the recipes Granny used to read him and Ringo for entertainment and some of them are words that look made up.
He surrounds himself with Chips Aha!, salsa, soy sauce, Froot-O's, canned tuna, Meataroni, sour sugar worms, and about ten different sorts of pastries from the drawers, once he realizes that they're hiding in plastic wrappers (how strange that they aren't in cloth or paper!).
Every once in a while, if he tries something and pulls a face, he puts it in a spoon with a sugarcube and gives it a second chance, thinking it's only right to give every strange delectable a fair shake. And just about everything tastes better with sugar dumped in it.
He has the decency to look a bit sheepish when anyone catches him in the act.

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The candied fruits are far more familiar than the cookies. They bring back memories of childhood, ducking through the kitchens of Edoras and stealing treats. She only eats a couple, then puts the bag aside, turning her attention fully to the boy. "Is it some manner of war, then, which plagues your homeland so? Or some longer travail?"
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And then he feels a little sick with himself, wishing for awful things to happen to others just so he feels less alone. It's not proper. It's not honorable.
"Yes'm. We're trying to overthrow the yoke of the North, Father says, and protect our way of life. It's been about a year now but they been quarreling at the Capitol much longer than that."
His understanding of the war isn't of politics, but of deprivation. Of being prepared to bury all their silverware at a moment's notice, of hiding the livestock so it can't be stolen or slaughtered, of not being able to afford food because the trade routes are severed and the market dried up to nothing but scam artists and price-gougers. It's of fearing for his father's life while convincing himself that to be the orphan of a fallen soldier is a respectable fate. It's hunger and insecurity and never knowing which relative you'll hear dead of next. It's brutal, ugly, one-sided and localized.
His understanding of war, as an abstract concept, is less informed, more the product of stories and imagination than fact.
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But that's not to be dwelt on. She shakes her head, taking another few candied fruits and popping them into her mouth. "In those days, we lost much of our trade, too, for Orcs and savage Men harried our merchants. But such things pass. They ever will."
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"Was it your husband?" He thinks that if that were the case, Éowyn is the right picture of a war widow, dignified and sorrowful and persevering. She'd be respectable, where he's from. She'd be aspirational, even; if women must lose their men, they would strive to retain their nobility like Éowyn has.
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It's a heavy talk to have with a child she's just met. Still, she feels a little better for it, as she often does - as if speaking matter-of-factly of those things, as if they were far and distant, will make them so.
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"My uncle died in the war too, in the first few months of it." He bobs his head slightly, solemnly. "And my mother wasted away when I was born, which might have been a mercy to her, my Granny says."
He reaches out to pat her hand and then pauses, remembering that she isn't family.
"Will you let me take your hand? I promise I don't mean anything untoward."
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"I do not doubt that you will carry it proudly as ever he could," she says gravely, letting go of his hand. "Were all men so steadfast in my land, we should have beaten back Mordor's forces ere ever I set hand to my blade." That's flattery, of course, though well-meant. Although there were some men who shook before the Shadow, Rohan's folk are a proud people, and every bit as steadfast as some lonely child in a lonely place. But she likes the boy, from what she's seen of him, and wishes to reassure him in the burden of his ancestry.
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"Yes'm. It's why the South will win," Bayard says, still steadfast in his blind and naive belief. "I can only hope your land will as well. I'll include you in my prayers, if you don't mind. I reckon the Lord can forgive me begging his ear a little longer."
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There is one thing, though, which makes her wonder. She hangs back from asking, fearful of offending him, but at last curiosity wins out. "What lord is it, if I may ask, to whom you pray?"
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"Jesus, ma'am. Or, rather, the Lord himself and his son, Jesus." He looks not offended, not even worried, but blissfully happy just to be sharing information, the same way he might if he were called on to give someone directions to an address and could improve their day a little that way. "Do you have Bibles where you're from, ma'am?"
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Maybe that's why there's no Jesus in these other worlds - a dearth of Bibles. Bayard will just have to track some down.
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"In my land," she says thoughtfully, "there are no such books. Though the Elves will speak of the song of Creation, and how it still echoes through the world. I suppose, in that, our own Creator left his words." She smiles a little, rather self-consciously. "I never had all that much time for such things."
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It's easier to just believe Éowyn has different names for religion than that she's an unbaptized heathen. She seems too kind to be an unbeliever, a role which Bayard believes is filled only by the Indians of rumor and legend.
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Religion, at least in the form that Bayard knows it, is a foreign concept to her. She can get her head around it in a way, but the kind of organised faith he means has never even occurred to her.
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"I don't know much about that," he says, not angry or dismissive but honestly admitting that he's at a loss. "I'll have to think it over to understand it, I think. Wouldn't be the first thing I didn't understand at a first glance in this place, though."
And with a smile, just like that, he manages to relegate Éowyn's world and beliefs and mythology to the same sort of trivia and pleasant obstacle as he's placed credit cards and air conditioners.
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As if maturity is something you reach by stepping forward in time, something added to uniformly by the steady progression of days.
"What sorts of things are real and tangible to you, Miss Éowyn?"
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The question gives her a little more pause, though. "The land," she says, at last. "People, and their needs. And a horse under you when you ride, a sword in your hand when you fight, the herbs clinging to your skin when you heal." She smiles, rather self-consciously, at her own answer. "The things you work with your hands, I suppose, and the things that come of them."
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He looks a little maudlin for a moment, and then it passes, as if whatever shadow were in front of his inner sun has crossed.
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It's how she's been keeping herself occupied, burning off that energy and futile frustration from being cooped up in this place. It isn't home. But it's something.
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And maybe it'll be better with a partner. Bayard feels guilty using the Avoxes and he gets bored on his own.
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