whatisay: (Basic - Smoke)
Jason Compson IV ([personal profile] whatisay) wrote in [community profile] thecapitol2015-01-05 01:16 am

I Said This Life Ain't No Love Song [Open]

WHO| Jason Compson and you!
WHAT| Jason meets his new Tributes and runs errands.
WHERE| D7 Suites, the elevator and lobby, and out getting groceries.
WHEN| After the broadcast.
WARNINGS| None yet.

LOBBY AND ELEVATOR

Jason Compson's never been the kind to get jitters on the first day of the job, and today's no different. It's not self-confidence so much as a sort of impenetrable aura of indifference, as if even the greatest catastrophe would be entirely dissipated before it impacted his ego. He's like a transient moving through phases in his life, dedicating himself to none. The task of maintaining the Compson name sucks all the concern out of him long before he can commit it to anything else.

Besides, he's done this before, wrangled Tributes for the cameras in District Ten. Seven's no higher up on the totem pole, and even if the Games have changed he doesn't expect the work will have. He's decent enough as an Escort, not particularly sociable but good with the connections he salvaged from his parents' name and quick to seize opportunities.

He has an electronic cigarette in his mouth before he even gets to the elevator, smelling vaguely of camphor and eucalyptus. The headaches have been better since he found vaporizers for those plants, and the white stick can be seen hanging off his lips near-constantly now. It doesn't look proper, but it's better than calling in sick half the time.

He doesn't walk across the lobby with the wonder or fear of one of the Tributes, nor is he dressed like one of the Stylists. He moves as if he has somewhere to get to, and any delay in getting there is a matter of his constitution rather than the importance of the place in question. His clothes are simple but contemporary, expensive enough to be fashionable but not enough to declare wealth.

The last time he was here, the whole place was different, the floors suited to a handful of people instead of a baker's dozen. In the elevator, he reaches for the button that says '10' in embossed text, then pauses, remembering his change in position, and hits '7'.


DISTRICT SEVEN

Figures that they're all sleeping in. That Jason arrived while dawn was still smudging light into the horizon doesn't really occur to him; the point is that he's working and his charges are snoring and drooling on themselves like pigs in a sty. He snaps at an Avox to start brewing some coffee and loosens his collar, resting on a couch with a device telling him about some more hubbub on Panem Nightly. He has no respect for people making fools of themselves on television, but he supposes that's why he's backstage, helping shove people into costumes and telling them to smile while he scowls.

When each waking Tribute comes to the kitchen, he doesn't get up from the couch.

"About time you get up and moving. You'd think we were running a coma ward with how much activity there is around here."


GROCERIES

If Jason had it his way, the Avoxes would be doing this, but the last time he sent them to buy food they got the wrong sort of seafood and he had to listen to his mother act as if she'd been poisoned for the better part of a week. If he really had it his way, he'd be living off of boiled noodles and toast, rather than spending his hard-earned money on fresh produce for his invalid mother. Instead, he's in an upscale market, examining turnips like some old biddy and brushing elbows with Avoxes and Tributes and all sorts of people beneath him. He can only hope that not too many people who recognize his face will see him here.

He makes a list of what items are on sale, what he can tell the District Seven Avoxes to substitute to save money in the Tribute budget for something else. When he's selected everything, he makes sure it'll be shipped home so he doesn't have to carry it through the streets. And when he leaves, it's back to the camphor cigarette, and for as desperate as he was to get out of that crowded and unpleasant store, he finds he's no more excited to go back home. He all but drags his feet on his way to his car.
schnapp: (midtown)

[personal profile] schnapp 2015-01-16 08:37 am (UTC)(link)
The avoxes don't look at her. She tries to make eye contact, just to say thank you, but they hurry along with their eyes cast downwards and they disappear from sight like they're constantly afraid of punishment.

It makes her angry to see them, and Beth has plenty of anger to spare these days. But it's really the mention of his family that has her expression softening. It serves to humanize him a little - or a lot. He's trying to support his family. In the Capitol way. As terrible as that is when you're looking at it from a tribute's perspective.

"Alright," it's the mention of family that ultimately has her agreeing to literally anything. Even though it's a tentative and delicate thing. "Fine. I'll do your...cooking thing, I guess."

At least it's the least-cringeworthy of the prospects.
schnapp: (16 shells from a thirty-ought six)

[personal profile] schnapp 2015-02-03 03:30 am (UTC)(link)
She doesn't know how photogenic she is. She's never had to think about that, to be honest. But Beth takes the pen and stares at the paper he's just passed her. She doesn't know if she ought to actually write down her mama's recipes. They're precious to her, and they contain cherished memories that she can't quite let go of.

After a moment, she writes: APPLE PIE in neat handwriting and underlines it. Then she writes down the basic ingredients - everything she can remember by heart before putting the pen down.

"Okay. Can I go now?"