Panem Events (
etcircenses) wrote in
thecapitol2015-01-01 10:46 am
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Mission: Capitol Liberation
Who| Bucky Barnes, Enjolras, Joan Watson, Punchy, & Marius Pontmercy.
What| Liberation of the idiots.
Where| The Tribute Center
When| January 1st
Warnings/Notes| N/A
This leg of the mission would require more stealth and discretion than anything else. The team would go into the Capitol, making use of the smuggling method the rebels had established and make their way into the Tribute Center. Bucky, Enjolras, and Joan would be provided with elaborate disguises to aid in their infiltration if necessary, otherwise they would be very much on their own. The hovercraft couldn't wait around for them and they would have no back up in case something went wrong.
It wasn't until they were nearly to the Capitol that their targets were revealed. Punchy and Marius. Wait... Punchy and Marius?
Doubts as to their suitability as soldiers aside, the trio's mission was clear. They had to be in and out of there and at the rendezvous point before 2300. It was 0700 when they were dropped off. Plenty of time, right? Right?
What| Liberation of the idiots.
Where| The Tribute Center
When| January 1st
Warnings/Notes| N/A
This leg of the mission would require more stealth and discretion than anything else. The team would go into the Capitol, making use of the smuggling method the rebels had established and make their way into the Tribute Center. Bucky, Enjolras, and Joan would be provided with elaborate disguises to aid in their infiltration if necessary, otherwise they would be very much on their own. The hovercraft couldn't wait around for them and they would have no back up in case something went wrong.
It wasn't until they were nearly to the Capitol that their targets were revealed. Punchy and Marius. Wait... Punchy and Marius?
Doubts as to their suitability as soldiers aside, the trio's mission was clear. They had to be in and out of there and at the rendezvous point before 2300. It was 0700 when they were dropped off. Plenty of time, right? Right?
[cw: drug use]
He's in the women's bathroom with a girl at least a decade older than him, although plastic surgery has tried valiantly to make it seem otherwise. She's down to a bra and pants; someone's spilled a drink on him and his forearm is sticky with it. He sits on the sink counter with her on his lap, her high-heeled feet resting awkwardly over the faucets. His hand runs over her back and the tattoo of a serpent there. Girls pass in and out of the bathroom and hardly take notice, except the ones who shoot the woman a look of jealousy.
She runs a hand through his hair and gets off of him, pulling a baggie from her inside her bra. White powder's cut into lines along the edge of the counter and they do it together, not as a bonding technique but just because it saves time. Their cheekbones bump as they meet in the middle and she giggles; he doesn't.
It hits him like an explosion inside his head, but he's done this often enough that it doesn't shock him. He closes his eyes and waits for the stinging in his nose to stop, the short-circuit to his brain to take effect and free him from the worst of his thoughts. He brings his head back and winces, blinks and pulls the girl to him again, letting her kiss his neck.
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She strides up to the couple and taps the girl firmly on the shoulder.
"Yeah, sorry to interrupt, but I think your dealer is looking for you. Said something like, 'that bitch with Punchy owes me for the blow." You might want to see to that."
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He doesn't pay attention to Joan, for the moment assuming she just came for his groupie and riding this high in his mind, eyes closed. He feels like he's floating, like he's smaller inside his skin and it's all on the outside, crisping and crinkling like too much saran wrap. And all the memories are so far below him that they're blurry and blotted out. He wants to maintain this forever, for longer than the half-hour this boost will give him.
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"Punchy," she says, touching his arm. "Punchy, look at me."
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The Capitol may not recognize her face but Punchy always will. He doesn't forget the faces of people he loves; he tries to preserve them, so they don't vanish into smears and colors like his sister did. By some survival sense that the cocaine hasn't numbed he realizes not to say her name out loud, to play along, to pretend this is just another girl.
"Where we going, shawty? We best move before the other bitch gets back." He reaches over and touches her hair, head tilting as if he's looking through her.
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She catches the hand going for her hair, and holds it, lowering it slowly.
"Someplace more private," she says. "My place is kind of far from here. Do you think you can make it?"
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He could nearly take on the Capitol like this, and that confidence is more than enough to get him to agree to break free with Joan.
"Lead the way."
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She pauses for just a moment, thinking hard. People will be watching him, and, by extension, her. They will notice if she's leading him off somewhere, and will probably take a closer look at her, which is the last thing they need. They need this to look entirely ordinary, at least for this crazy definition of ordinary.
She needs to be like any other woman with Punchy.
She gives him a smile and steps forward, sliding her arms over his shoulders and curling them around his neck, pressing her body gently against his and guiding his head down so she can nuzzle his ear and whisper against it.
"We need to get out of the Tribute Tower first."
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"I should show you my crib." A few hapless ideas scrabble out of his brain and he realizes he should cover her in his jacket, as if he were her boyfriend, the popped collar and the heavy size obscuring her form all the more. Besides, he's sweating, probably from the drugs. "Let's go."
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He moves to wrap his jacket around her, and she presses herself closer.
"I need you to guide me through the party and the lobby," she murmurs into his ear. "I'll guide you once we're outside." She smiles faintly. "I'm taking you to my crib."
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He follows her once they're outside, even as he wonders what the point is in going anywhere else but here. The cold air flushes his cheeks but he doesn't feel it.
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"We still have a way to go. And it's not exactly a cakewalk." She glances up at him. "You doing okay?"
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He places his hand in her hair, feeling it in her fingers.
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She wouldn't be quite as concerned if Punchy weren't, as he put it, "higher than a motherfucker." But she's much too familiar with how people can be wrong about their perceptions and motor skills when chemically compromised.
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The idea that they came just for him is simultaneously flattering and one he can't really wrap his head around. He has images of District Thirteen crashing in and saving everyone, of tidal waves sweeping in instead of curated leaks from the Capitol's stronghold.
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She doesn't want to give him any more specifics than that. If this went bad, and he was captured, it would be better for everyone involved if he had as few details as possible.
Joan spies a clutch of Peacekeepers coming toward them, and turns her head toward Punchy, pressing closer.
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Then he remembers that he's supposed to be playing a role. "I mean, nah, that homie's too young." He cracks open the door to the Tribute Center as they reach it, ducking out of sight of those Peacekeepers, who seem none the bothered to see Punchy with a girl again.
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As they enter the Tower, there's a gaggle of girls who catch sight of Punchy. They squeal and bounce and flutter over to fawn over him.
Just great.
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"This real estate's taken, bizzles. I be with a new bitch tonight." It occurs to him, dimly, like a voice from down a street, that they might recognize Joan from television, up this close. But he doesn't know what to do about it, pauses in this frozen dilemma without covering her up or standing in front of her.
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Of course she would never do this if she didn't have to, if their lives didn't depend on her not being recognized. She resolves to talk with Punchy about it once they can do so safely.
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"What do we do, shawty?" he whispers to her.
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"Pick one," she murmurs against his neck. "Bring her up with us."
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By instinct, he goes for the stairs instead of the elevator. The elevator's a last resort for him ever since his Avoxing.
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"When we get to your room," Joan murmurs against his ear, "we ditch her, and get out. We need to get to the rendezvous."
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His skin feels like it's writhing on his muscle, his eyes too wide, his upper lip twitching, and when they reach the sixth floor he can't seem to figure out the key and so he actually kicks the door in.
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