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tributevisitors) wrote in
thecapitol2014-05-10 10:44 pm
Entry tags:
Just Like My Daddy Selling His Baby [Closed]
WHO| Thenardier and Eponine
WHAT| The emancipation of Eponine.
WHEN| Before the end of the Thicker Than Blood plot.
WHERE| Eponine's room in D3.
WARNINGS| Death, mentions of forced prostitution, general Thenardier horribleness.
Eponine's room was already not the tidiest, but Thenardier seems to have reduced it to absolute disarray. Though his uprooting everything Eponine owns looking for things to take for himself may not have been malicious, it certainly wasn't considerate, and most of her things are now ripped open, scattered about and trodden on. He's taken her bed, although it's large enough that the whole family is capable of sleeping on it, as they do as if they're still in the days where huddling is a cheap and viable form of warmth.
It's evening now, and Thenardier returns to the room, gussied up in all the fineries the District Stylists were more than happy to supply him with. He's even humming a bit of a song, an offbeat ditty from his 'soldiering' days. He looks rather pleased with himself as he sits down on the bed and starts to take off his shoes.
"That Salazar woman was quite a find, my dear," he says to Eponine, not bothering to look at her. "It was no trouble at all to get a hand into her purse."
WHAT| The emancipation of Eponine.
WHEN| Before the end of the Thicker Than Blood plot.
WHERE| Eponine's room in D3.
WARNINGS| Death, mentions of forced prostitution, general Thenardier horribleness.
Eponine's room was already not the tidiest, but Thenardier seems to have reduced it to absolute disarray. Though his uprooting everything Eponine owns looking for things to take for himself may not have been malicious, it certainly wasn't considerate, and most of her things are now ripped open, scattered about and trodden on. He's taken her bed, although it's large enough that the whole family is capable of sleeping on it, as they do as if they're still in the days where huddling is a cheap and viable form of warmth.
It's evening now, and Thenardier returns to the room, gussied up in all the fineries the District Stylists were more than happy to supply him with. He's even humming a bit of a song, an offbeat ditty from his 'soldiering' days. He looks rather pleased with himself as he sits down on the bed and starts to take off his shoes.
"That Salazar woman was quite a find, my dear," he says to Eponine, not bothering to look at her. "It was no trouble at all to get a hand into her purse."

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"Salazar? Eva? You've been to see Eva? What did you say to her? What have you done? Have you taken money from her?"
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He isn't sure what she sees in Eponine - he certainly doesn't see the sparkling dove Eva does even in his own flesh and blood - but regardless, he'll take advantage.
"Anyway, when I pressed her hard enough she was willing to give up quite a ransom for you."
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"You know, I HATE you for this, Pa. I hate you so much - oh God, I didn't know how awful we were - how rotten you've made me - and you think it's good. Well it ain't. No wonder we're scum. No wonder the prisons are crawling with rats and they throw in bits of bread as if we are animals. Do you wonder? We ain't no better. And I HATE you for it." Her chest heaves as she yells. It's the first time she's ever yelled back at her dad, and the rage and resentment for her robbed teenage years, for the thieving and begging and the men getting the letters - it all bubbles into her words and fizzes out.
"I HATE you. I hate that you've taken money from Eva - oh God, Pa, she LOVES me. She loves me more than you ever have. Well, I shan't stand for it. Give it back!"
She actually goes to reach for her father's coat, to wrestle the credit card away.
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He grabs her hand from his coat and shoves her backwards, face transformed from that smarmy, greasy smile to something far more cruel, something that is both brutal and absolutely unlike an animal in its calculated malice.
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She finds, somehow that she's not afraid of her father. The rage against him is too great for her to be afraid. It takes over her, consumes her, and she realises that if he hurts her, she will do her utmost to fight back now.
Doesn't mean she's going to stay within hitting range, though. She's not daft.
She backs off, until the back of her head touches her bedroom wall. "Do you know what them men did to me? D'you know what your bloody Montparnasse has done to me? You don't even care, do you?"
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Of course he knows. He just doesn't care. As far as Thenardier's concerned, they've all had to do pathetic, degrading things to scrape by. It's the cost of living in these times, and if Eponine had found it that horrible she could and should have just run and kept running.
But she didn't, which meant things were working out. That all the whining is just that, whining. He reaches forward to smack her head against the back of the bedroom wall.
(An Avox skitters out of the room.)
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"You know why I stayed? Not for you. For Azelma. She couldn 't have done it, much. She 'd have ended up seeded and dead and you know it. You ain't no Pa."
She's trying to ignore her dizziness, to hit out at him, to kick, bite, spit. All that fury and resentment from the decade past bubbles and froths and rages until it bursts from her.
"Call me the daughter of a wolf? Pah! You're no wolf. You're scum!" Her words are argot now, fast and furious. She doesn 't even notice the Avox running.
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He hits back and there's a snap as he pulls a pocketknife from his pocket.
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"Are you going to kill me, Pa? Here?" She laughs bitterly, never taking her eyes off the knife. She's scared, absolutely terrified, and trying desperately not to show it. But slowly, her fists clench. Her lip wobbles, ever so slightly. Her voice is too jovial, too high pitched to be convincing.
"I never thought you'd have the courage. I thought you'd have the rest do it. 'Parnasse and them."
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He doesn't move to kill. He swings the knife to maim, to teach her a lesson, going for her face.
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"GOD! PAPA!"
This is it, isn 't it ? He's really going to kill her. He is going to chop her and sell her. She's a commodity. That 's it. She could let him. It'd end it all for good. But Eponine finds that she doesn't want this man to kill her - anyone but him, and she realises that she has to fight back.
With a groan of agony mixed with fury, she once more knees her father in the groin , hoping to take him by surprise. She needs a weapon: there's a little mother of pearl letter opener on her desk, if she can get to it. Oh God, it hurts. She could throw up from the pain. Her right arm is bleeding heavily, useless. Thank God above she's left handed. She staggers for the knife.
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And then she hits him in the groin and he flails again with the knife as he doubles over. Air seems to gush right out of his lungs - the pain is blinding. The little wretch--!
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"So it comes to this, does it? You or I? Are we to kill one another, Pa?"
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"Drop yours, Pa! Drop it! I do not joke! Do not make us go further ."
Her heart sinks though. Thisvis it. He 's really going to kill her, isn't he ?
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He looks at her in abject shock, and then keels over to the floor.
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"Papa?" She sounds like a little girl again, lost and alone. For a full ten seconds, she stares. She sees the blood staining her floor, the patch slowly widening as her dad loses more blood. She sees the skin on the back of his neck start to pale.
And then she moves. She bends down, frantic fingers trying to unlodge the letter opener in his side, trying to press the blood back into his body.
"Papa, don't die. Oh God, I didn't mean it. Don't die. Papa, are you alive? Please? Oh God -"
She yanks the letter opener from his side, but his blood only starts to run faster. How could such a little thing do so much damage? What should she do? She can't even scream for help or she'd be arrested. Oh God. What does she do?
"Papa? Are you still alive?"