Benjamin F. "Hawkeye" Pierce (
swill) wrote in
thecapitol2013-12-17 02:04 pm
Entry tags:
(open) It's a revolution, I suppose.
Who| Hawkeye and you! And feel free to mingle!
What| Hawkeye dressed up Enjolras' statue as Santa Claus- come look.
Where| Tribute Center, or catch him being sneaky beforehand if you're a district-mate.
When| Couple of days after the crowning.
Warnings/Notes| Dick in a box-- no, I got nothing other than that.
After the crowning, he had made himself scarce. He had found that it was a pretty good idea to burrow like a gopher and never resurface, and never see the faces of the escorts or stylists again, though of course it was impossible. He kept to the district floor most of the time and only wandered out of the Tribute Center on a whim, once, at first, to see if the weather had decided to get its act together and warm up. It hadn't. He didn't search for familiar faces and kept to slinking around unnoticed if he could help it. And he kept seeing the stupid marble statue of the new David, the new Victor, the scrawny kid who defeated the new Goliath. It made his stomach churn. It was revolting. Not because of the victor himself- Hawkeye could hardly remember his name despite hearing it nearly every waking moment after the Arena's end. The statue just looked too glorious. And it wasn't just him being a sore loser, this time, he reasoned.
No, no. It was-- here was this monument to human blood thirst. Carved in marble and displayed like it belonged in the most privileged museum. And people walked past it and ignored it or else talked about it like it was supposed to be art. No, no. Michelangelo's David was art. The Capitol's rendition was warped and exalting some punk killer. And what was Hawkeye supposed to do? Ignore it, too? Wax poetic about a stranger who-- and seriously, he had won the death match? Not that the young man had had a choice to do otherwise, he knows, he knows, but Jesus Christ, it was wrong. It was as wrong as-- for Christ's sake, it was supposed to be spring, too. Not winter. And the world could go topsy-turvy on him, Hawkeye told himself, but no, he wasn't going to lose himself to it and its nightmares.
And so he started to wander out of the Tribute Center again, and he would come back hauling bags and packages to his room. Then he locked himself in there, and only resurfaced again when he had everything, kind of sort of, ready for action. He waited for night to fall and for the commons to more or less empty, though it never really did. A few drinks for courage, and he got to work.
His sewing wasn't great and the hems frayed all over, but to hell with it. He slipped the coat on to the marble, one arm at a time. The belt to hold the robe in place wasn't anything special, in fact it was two or three regular belts for use tied end-to-end and buckled at the belly. The pants were the challenge. He had to sew them on in four pieces around the statue because it wasn't like he could lift the thing. Because of that, Santa would have to go without socks or boots. And it was then that Hawkeye remembered the pudge. And he scurried around in the night gathering cushions off of the lounge couches and lumping them into the coat, and so it was that the statue grew a lumpy, lopsided, sickly looking belly. He had a hat ready to go, and a beard, but how the hell was he even going to reach way up there? So he dumps the evidence at the statue's feet and wonders what was left to do. An hour and a drink later, he hatched a thought and his mind was too fuzzy to tell him it was bad idea. With diligence and dexterity, he put on the finishing touch.
On the sculpture's hips, coverings its shameful dick, he had tied a box. A simple box, yellow and tied with blue ribbon, the bow standing perked like the marble's member wasn't. Hawkeye had kept a souvenir from days ago, a wig he had snatched off a woman's head while reciting lines from Shakespeare. He decided to sacrifice his trinket for the sake of giving the poor man's statue some 'real' pubes (it was cold, after all) and into the box he stuffed his charity. And under the violet wig, attached to a pretty red ribbon tied to the sculpted penis, is the only note. It reads "For Salazar". But who in their right mind would ever even think to open that box? As far as Hawkeye was concerned, that was safest place to hide it- not to mention, the most appropriate. With the final detail done and the art at its finest, Hawkeye trudged back to the District 4 rooms and collapsed onto bed.
So it's not until late in the morning that Hawkeye manages to stumble out of bed and wander downstairs with bedhead and sleepy eyes in tow. There were people swarming the statue, more giggling than not. He wonders absently if there were cameras at night that caught his act more than the very few onlookers had, and the violent shudder he indulges in, passing his masterpiece, might even seem like it was directed at it. He plants himself right in front. And salutes. And declares with a boom, "Now that's art!" Face somber only because of the hangover he tastes on his tongue. Turning away to lay claim to a sofa, he peers this way and that, almost frantic, searching for faces that aren't Capitol bred. The artist yearning for reactions from the people that mattered. Come on.
Come on. Don't make him have to ask.
What| Hawkeye dressed up Enjolras' statue as Santa Claus- come look.
Where| Tribute Center, or catch him being sneaky beforehand if you're a district-mate.
When| Couple of days after the crowning.
Warnings/Notes| Dick in a box-- no, I got nothing other than that.
After the crowning, he had made himself scarce. He had found that it was a pretty good idea to burrow like a gopher and never resurface, and never see the faces of the escorts or stylists again, though of course it was impossible. He kept to the district floor most of the time and only wandered out of the Tribute Center on a whim, once, at first, to see if the weather had decided to get its act together and warm up. It hadn't. He didn't search for familiar faces and kept to slinking around unnoticed if he could help it. And he kept seeing the stupid marble statue of the new David, the new Victor, the scrawny kid who defeated the new Goliath. It made his stomach churn. It was revolting. Not because of the victor himself- Hawkeye could hardly remember his name despite hearing it nearly every waking moment after the Arena's end. The statue just looked too glorious. And it wasn't just him being a sore loser, this time, he reasoned.
No, no. It was-- here was this monument to human blood thirst. Carved in marble and displayed like it belonged in the most privileged museum. And people walked past it and ignored it or else talked about it like it was supposed to be art. No, no. Michelangelo's David was art. The Capitol's rendition was warped and exalting some punk killer. And what was Hawkeye supposed to do? Ignore it, too? Wax poetic about a stranger who-- and seriously, he had won the death match? Not that the young man had had a choice to do otherwise, he knows, he knows, but Jesus Christ, it was wrong. It was as wrong as-- for Christ's sake, it was supposed to be spring, too. Not winter. And the world could go topsy-turvy on him, Hawkeye told himself, but no, he wasn't going to lose himself to it and its nightmares.
And so he started to wander out of the Tribute Center again, and he would come back hauling bags and packages to his room. Then he locked himself in there, and only resurfaced again when he had everything, kind of sort of, ready for action. He waited for night to fall and for the commons to more or less empty, though it never really did. A few drinks for courage, and he got to work.
His sewing wasn't great and the hems frayed all over, but to hell with it. He slipped the coat on to the marble, one arm at a time. The belt to hold the robe in place wasn't anything special, in fact it was two or three regular belts for use tied end-to-end and buckled at the belly. The pants were the challenge. He had to sew them on in four pieces around the statue because it wasn't like he could lift the thing. Because of that, Santa would have to go without socks or boots. And it was then that Hawkeye remembered the pudge. And he scurried around in the night gathering cushions off of the lounge couches and lumping them into the coat, and so it was that the statue grew a lumpy, lopsided, sickly looking belly. He had a hat ready to go, and a beard, but how the hell was he even going to reach way up there? So he dumps the evidence at the statue's feet and wonders what was left to do. An hour and a drink later, he hatched a thought and his mind was too fuzzy to tell him it was bad idea. With diligence and dexterity, he put on the finishing touch.
On the sculpture's hips, coverings its shameful dick, he had tied a box. A simple box, yellow and tied with blue ribbon, the bow standing perked like the marble's member wasn't. Hawkeye had kept a souvenir from days ago, a wig he had snatched off a woman's head while reciting lines from Shakespeare. He decided to sacrifice his trinket for the sake of giving the poor man's statue some 'real' pubes (it was cold, after all) and into the box he stuffed his charity. And under the violet wig, attached to a pretty red ribbon tied to the sculpted penis, is the only note. It reads "For Salazar". But who in their right mind would ever even think to open that box? As far as Hawkeye was concerned, that was safest place to hide it- not to mention, the most appropriate. With the final detail done and the art at its finest, Hawkeye trudged back to the District 4 rooms and collapsed onto bed.
So it's not until late in the morning that Hawkeye manages to stumble out of bed and wander downstairs with bedhead and sleepy eyes in tow. There were people swarming the statue, more giggling than not. He wonders absently if there were cameras at night that caught his act more than the very few onlookers had, and the violent shudder he indulges in, passing his masterpiece, might even seem like it was directed at it. He plants himself right in front. And salutes. And declares with a boom, "Now that's art!" Face somber only because of the hangover he tastes on his tongue. Turning away to lay claim to a sofa, he peers this way and that, almost frantic, searching for faces that aren't Capitol bred. The artist yearning for reactions from the people that mattered. Come on.
Come on. Don't make him have to ask.

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